"Lonely Xmas (Hold Me Tight)" by Constance Hauman was released on January 25, 2019. With this song being around four minutes long, at 4:21, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Constance Hauman's "High Tides" album is number 5 out of 11. Based on our statistics, Lonely Xmas (Hold Me Tight)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Lonely Xmas (Hold Me Tight) by Constance Hauman to be Allegro (fast, quick, and bright) because the track has a tempo of 139 BPM, a half-time of 70BPM, and a double-time of 278 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bitch Honey | Miss Velvet and the Blue Wolf, George Clinton, Miss Velvet, Constance Hauman, Nick Carbone, Henry Ott, James Jones | C Major | 8 | 8B | 156 BPM | ||
Norway | fuis | F Minor | 5 | 4A | 110 BPM | ||
The Road Not Taken (Eastwood Mix) | Michael Fisher | E Minor | 6 | 9A | 170 BPM | ||
The Wheel Of Midnight | Carey Pullman | B Major | 3 | 1B | 95 BPM | ||
Lulu, Act III: Moderato - Act III Scene 1. Meine Herrn und Damen! Gestatten Sie dass ich trinke - Und so weiter, meine Damen … (Alwa, Lulu, Journalist, Marquis, Athlete, Manservant, Banker, Groom, Lady Artist, Mother, 15-year-old Girl) | Alban Berg, Ulf Schirmer, Danish National Symphony Orchestra, Constance Hauman, Peter Straka, Morten Frank Larsen, Gert Henning-Jensen, Sten Byriel, Ulrik Cold | F Major | 2 | 7B | 72 BPM | ||
You are the One | John Klemmer | C Major | 6 | 8B | 170 BPM | ||
I Feel the Rush | Mangosago musica | G Major | 4 | 9B | 144 BPM | ||
Lulu, Act I Scene 1: Darf ich eintreten? - Gnadige Frau … Frau Medizinalrat … - Sie bekomenn mich noch lange nicht - Wie ist dir? (Alwa, Dr. Schon, Lulu, Painter) | Alban Berg, Ulf Schirmer, Danish National Symphony Orchestra, Constance Hauman, Peter Straka, Monte Jaffe, Michael Myers | F♯ Major | 2 | 2B | 83 BPM | ||
Reason to Love | Oksana Angel | E♭ Minor | 4 | 2A | 140 BPM | ||
Messieurs-dames (stuck in the arching caverns of Hermes’ court) | Angles, Elle-Kari, Brusk Zanganeh | G Major | 0 | 9B | 98 BPM |
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