Laudes de sainte Ursule: XVIII. Hymne "Cum vox sanguinis Ursule" - Hildegard von Bingen, Ensemble Organum, Marcel Pérès Information

"Laudes de sainte Ursule: XVIII. Hymne "Cum vox sanguinis Ursule"" by Hildegard von Bingen, Ensemble Organum, Marcel Pérès was released on 1996. Laudes de sainte Ursule: XVIII. Hymne "Cum vox sanguinis Ursule" appears to be safe for all ages as it is not explicit. The track order of this song in Hildegard von Bingen, Ensemble Organum, Marcel Pérès's "Hildegard von Bingen: Laudes de sainte Ursule" album is number 18 out of 25. On top of that, France appears to be the country where this track was created. Laudes de sainte Ursule: XVIII. Hymne "Cum vox sanguinis Ursule" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Laudes de sainte Ursule: XVIII. Hymne "Cum vox sanguinis Ursule" BPM

We consider the tempo marking of Laudes de sainte Ursule: XVIII. Hymne "Cum vox sanguinis Ursule" by Hildegard von Bingen, Ensemble Organum, Marcel Pérès to be Adagio (slowly with great expression) because the track has a tempo of 72 BPM, a half-time of 36BPM, and a double-time of 144 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Laudes de sainte Ursule: XVIII. Hymne "Cum vox sanguinis Ursule" Key

This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.