"Drei gestliche Gesange, Op. 69: I. Morgenlied. Die Sterne sind erblichen" by Josef Rheinberger, Charles Bruffy, Phoenix Bach Choir, Kansas City Chorale was released on October 1, 2007. Drei gestliche Gesange, Op. 69: I. Morgenlied. Die Sterne sind erblichen is about six minutes long, preciously at 5:49, making this song fairly long compared to other songs. There are a total of 14 in the song's album "Rheinberger: Oster-Hymne, Vier sechsstimmige Motetten & Mass". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United Kingdom. Drei gestliche Gesange, Op. 69: I. Morgenlied. Die Sterne sind erblichen is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Drei gestliche Gesange, Op. 69: I. Morgenlied. Die Sterne sind erblichen by Josef Rheinberger, Charles Bruffy, Phoenix Bach Choir, Kansas City Chorale having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Walford Davies: A Short Requiem - De profundis clamavi (Psalm 130) | The Chapel Choir of Pembroke College, Cambridge | D Major | 0 | 10B | 94 BPM | ||
Messe solennelle pour deux orgues et choeur, Op. 16: IV. Benedictus | Louis Vierne, Michel Bouvard | E Major | 0 | 12B | 94 BPM | ||
2 Rossetti Songs: No. 2. Remember | Stephen Chatman, Elora Festival Singers, Noel Edison | D♭ Major | 0 | 3B | 75 BPM | ||
Oedipus, Z.583: II. Music for a While | Henry Purcell, Musikhögskolans Kammarkör Piteå, Andrea Hagman, Erik Westberg | D♭ Major | 4 | 3B | 80 BPM | ||
The Silver Swan | Orlando Gibbons, Apollo5 | C Major | 1 | 8B | 79 BPM | ||
Piano Sonata No. 3, Op. 135: IV. Finale | Josef Rheinberger, Jurg Hanselmann | A♭ Major | 1 | 4B | 68 BPM | ||
3 Sechsstimmige Chöre, Op. 39: No. 2, Abendlied | Max Reger, Bundesjugendchor, Anne Kohler | E Major | 1 | 12B | 139 BPM | ||
Mass for Double Choir: I. Kyrie | Frank Martin, Westminster Choir, Joe Miller | E Minor | 1 | 9A | 80 BPM | ||
Israel in Egypt, HWV 54, Pt 3. "Moses' Song": IX. Who is like unto thee (Chorus) | George Frideric Handel, Apollo's Fire, Jeannette Sorrell, Apollo's Singers | B Major | 4 | 1B | 110 BPM | ||
Hymne au soleil | Lili Boulanger, Antonii Baryshevskyi, Orpheus Vokalensemble, Michael Alber | D Major | 1 | 10B | 131 BPM |
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