Ian Krouse, Manuel de Falla, Scott Tennant, William Kanengiser, Los Angeles Guitar Quartet made "El amor brujo (Love, the Magician) (arr. W. Kanengiser, S. Tennant and I. Krouse): Escena (arr. W. Kanengiser)" available on January 1, 1993. With El amor brujo (Love, the Magician) (arr. W. Kanengiser, S. Tennant and I. Krouse): Escena (arr. W. Kanengiser) being less than two minutes long, at 1:03, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 12 out of 22 in Boccherini, L.: Guitar Quintet No. 4 / Falla, M.: El Amor Brujo / Rimsky-Korsakov, N.: Capriccio Espagnol (Evening in Granada) by William Kanengiser, Los Angeles Guitar Quartet. The popularity of El amor brujo (Love, the Magician) (arr. W. Kanengiser, S. Tennant and I. Krouse): Escena (arr. W. Kanengiser) is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of El amor brujo (Love, the Magician) (arr. W. Kanengiser, S. Tennant and I. Krouse): Escena (arr. W. Kanengiser) by Ian Krouse, Manuel de Falla, Scott Tennant, William Kanengiser, Los Angeles Guitar Quartet is Vivace (lively and fast), since this song has a tempo of 168 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 5/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Whirler of the Dance: Dance | Bret Williams | A Minor | 2 | 8A | 99 BPM | ||
10 Miniaturen In Pop. Stilen: Little Light March | Klaus Rothkegel, Boris Tesic | B Minor | 1 | 10A | 158 BPM | ||
Etude No. 2a, "Ad fugam" on a Non-Octave-Replicating Mode (After Beethoven's Op. 126 No. 4) | Ian Krouse, Inna Faliks | D♭ Major | 1 | 3B | 162 BPM | ||
Schwanengesang, D. 957: No. 5. Aufenthalt (Delay) (arr. J. K. Mertz) | Franz Schubert, Johann Kaspar Mertz, Gerald Garcia | E Minor | 2 | 9A | 136 BPM | ||
Alonso de Mudarra : Gallarda | Renata Tarragó | E♭ Major | 2 | 5B | 120 BPM | ||
Guitar Sonatina, Op. 52, No. 1: II. Lento - Tempo rubato | Lennox Berkeley, Kyuhee Park | E Minor | 0 | 9A | 70 BPM | ||
Carmen Suite: III. Seguidilla (Arr. W. Kanengiser) | Los Angeles Guitar Quartet | G Major | 1 | 9B | 101 BPM | ||
Bellmaniana - Suite on Themes by C.M. Bellman: IV. Andante (Epistle no. 7) | Per-Olof Johnson, Carl Michael Bellman | G Major | 2 | 9B | 126 BPM | ||
Three Ships: I. Sailing | Errollyn Wallen, Tom Kerstens | B Major | 0 | 1B | 77 BPM | ||
Vals sentimental | Enrique Granados, Xuefei Yang | C Minor | 0 | 5A | 141 BPM |
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