On November 17, 2022, the song "End Credits - From “Braveheart” Soundtrack" was released by James Horner, London Symphony Orchestra. Since End Credits - From “Braveheart” Soundtrack is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Various Artists's "Movie Classics" album is number 74 out of 95. On top of that, United Kingdom appears to be the country where this track was created. The popularity of End Credits - From “Braveheart” Soundtrack is currently unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of End Credits - From “Braveheart” Soundtrack by James Horner, London Symphony Orchestra to be Presto (very, very fast) because the track has a tempo of 180 BPM, a half-time of 90BPM, and a double-time of 360 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Across the Mountains | Vangelis | B♭ Major | 3 | 6B | 128 BPM | ||
Hope (Xavier's Theme) | John Ottman, Jeffrey Schindler, American Federation of Musicians | A Minor | 1 | 8A | 132 BPM | ||
Unchained Melody (From "Ghost") - Orchestral Version | Maurice Jarre | D Major | 2 | 10B | 145 BPM | ||
The Mission Begins - Instrumental | Michael Kamen, London Metropolitan Orchestra | D Major | 2 | 10B | 86 BPM | ||
Creating "Governing Dynamics" | James Horner | C Major | 1 | 8B | 118 BPM | ||
In Half-Light of the Canyon | Mark Isham | B Minor | 1 | 10A | 73 BPM | ||
King Arthur: Tell Me Now (What You See) | Royal Philharmonic Orchestra | C Major | 2 | 8B | 76 BPM | ||
Betrayal & Desolation | James Horner, London Symphony Orchestra | G Major | 1 | 9B | 84 BPM | ||
Duneagle | John Lunn, The Chamber Orchestra Of London | F♯ Minor | 2 | 11A | 92 BPM | ||
Shooting Star | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | D Minor | 3 | 7A | 84 BPM |
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