Tatjana Komarova, Sheila Arnold made "Thema mit Variationen: No. 8, Variation VII" available on April 2, 2004. The duration of Thema mit Variationen: No. 8, Variation VII is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Thema mit Variationen: No. 8, Variation VII's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 43 in the song's album "Thème varié". In this album, this song's track order is #43. Furthermore, we believe that the track originated from Germany. Thema mit Variationen: No. 8, Variation VII is unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Thema mit Variationen: No. 8, Variation VII by Tatjana Komarova, Sheila Arnold having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Iberia, T. 105, Book 2: III. Triana | Isaac Albéniz, Peter Donohoe | F♯ Major | 0 | 2B | 66 BPM | ||
Variations sur un thème de Chopin: VI. Variation V. Temnpo di Mazurka | Federico Mompou, Marina Staneva | E♭ Major | 0 | 5B | 69 BPM | ||
Préludes, Book 1, L. 117 (Excerpts): No. 10, La cathédrale engloutie | Claude Debussy, Jorge Federico Osorio | D Minor | 0 | 7A | 71 BPM | ||
8 Memories in Watercolor: No. 4, Blue Nun | Tan Dun, Edward Han Jiang | A Minor | 2 | 8A | 91 BPM | ||
Étude-Tableau in G minor, Op. 33, No. 5 | Sergei Rachmaninoff, Valentin Magyar | C Minor | 0 | 5A | 64 BPM | ||
Londonderry Air (Arr. Hough) | Traditional, Stephen Hough | E♭ Major | 0 | 5B | 67 BPM | ||
4 Nocturnes: No. 3, Moderato | Alexandre Tansman, Christina Petrowska-Quilico | D♭ Minor | 0 | 12A | 132 BPM | ||
Qi - I. Lucid Flight | Evan Ziporyn, Brooklyn Rider | D Major | 3 | 10B | 159 BPM | ||
5 Piano Pieces Op. 3, TrV 105: No. 4, Allegro molto | Richard Strauss, Guillaume Bellom | G Minor | 0 | 6A | 68 BPM | ||
Élégie, L. 146 (Arr. For Cello And Piano By Olivier Hébert-Bouchard) | Claude Debussy, Stéphane Tétreault, Olivier Hébert-Bouchard | A♭ Major | 0 | 4B | 170 BPM |
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