"Tchaikovsky: 6 Pieces, Op. 51: No. 6, Valse sentimentale" by Pyotr Ilyich Tchaikovsky, Aurélien Pontier was released on April 26, 2024. With this song being about 5 minutes long, at 4:50, "Tchaikovsky: 6 Pieces, Op. 51: No. 6, Valse sentimentale" by Pyotr Ilyich Tchaikovsky, Aurélien Pontier is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Vienna: Joyful Apocalypse - Tchaikovsky: 6 Pieces, Op. 51: No. 6, Valse sentimentale by Aurélien Pontier. The song's track number on the album is #1 out of 4 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. In terms of popularity, Tchaikovsky: 6 Pieces, Op. 51: No. 6, Valse sentimentale is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Tchaikovsky: 6 Pieces, Op. 51: No. 6, Valse sentimentale by Pyotr Ilyich Tchaikovsky, Aurélien Pontier has a tempo of 104 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Tchaikovsky: 6 Pieces, Op. 51: No. 6, Valse sentimentale being at 104 BPM, the half-time would be 52 BPM with a double-time of 208 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturne No. 12 in G Major, H 58D | John Field, Tyler Hay | B Major | 1 | 1B | 112 BPM | ||
Variations on a Theme by Tchaikovsky, Op. 35a: III. Var. II. Allegro non Troppo | Pyotr Ilyich Tchaikovsky, Anton Arensky, Edward Elgar, Robert Fuchs, Orchestra Orfeo, Domenico Famà | G Major | 1 | 9B | 148 BPM | ||
The Four Seasons, Violin Concerto No. 2 in G Minor, RV 315 "Summer": II. Adagio (Arr. Saban) | Antonio Vivaldi, Ferhan Önder, Ferzan Önder | F Minor | 1 | 4A | 167 BPM | ||
Herald of spring | Mini | D♭ Minor | 0 | 12A | 123 BPM | ||
Das Rheingold, WWV 86A: Einzug der Götter in Walhall (Arr. for Piano by Louis Brassin & Nikolai Lugansky) | Richard Wagner, Nikolai Lugansky | B Major | 0 | 1B | 75 BPM | ||
Emma's doodle | Aurelio Scotto | D Minor | 2 | 7A | 132 BPM | ||
Etude Op. 136 Nr. 20 | Carl Albert Loeschhorn, José Manuel Ortega Caballo | E Minor | 2 | 9A | 175 BPM | ||
Children's Album, Op. 39, TH 141: 18. Neapolitan Song | Pyotr Ilyich Tchaikovsky, Valentina Lisitsa | E♭ Major | 1 | 5B | 103 BPM | ||
Bernstein: Symphony No. 2 "The Age of Anxiety", Pt. 1: The Seven Stages. Variation VIII | Leonard Bernstein, Antonio Pappano, Beatrice Rana, Orchestra dell'Accademia Nazionale di Santa Cecilia | D♭ Major | 0 | 3B | 95 BPM | ||
48 Esquisses, Op. 63, Book 2: No. 19, Grâces | Charles-Valentin Alkan, Steven Osborne | C Major | 0 | 8B | 73 BPM |
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