"Concerto for Jew's Harp, Mandora & Orchestra in E Major: I. Tempo moderato" by Johann Georg Albrechtsberger, Fritz Mayr, Dieter Kirsch, Munich Chamber Orchestra, Hans Stadlmair was released on January 1, 2016. Since Concerto for Jew's Harp, Mandora & Orchestra in E Major: I. Tempo moderato is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 7 in Albrechtsberger: Concertos for Jew's Harp, Mandora & Orchestra by Johann Georg Albrechtsberger, Fritz Mayr, Dieter Kirsch, Munich Chamber Orchestra, Hans Stadlmair. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Concerto for Jew's Harp, Mandora & Orchestra in E Major: I. Tempo moderato is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerto for Jew's Harp, Mandora & Orchestra in E Major: I. Tempo moderato by Johann Georg Albrechtsberger, Fritz Mayr, Dieter Kirsch, Munich Chamber Orchestra, Hans Stadlmair is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata No. 2 in F Major: I. Allegro | Giuseppe Sammartini, Claudio Ferrarini, Accademia Farnese | C Major | 3 | 8B | 147 BPM | ||
Oboenkonzert in D-Moll: I. Andante e spiccato | Alessandro Marcello, Südwestdeutsches Kammerorchester Pforzheim, Paul Angerer, Helmut Hucke | D Minor | 2 | 7A | 138 BPM | ||
Simple Symphony, Op. 4: I. Boisterous Bouree | Benjamin Britten, Budapest Strings, Karoly Botvay | G Major | 2 | 9B | 144 BPM | ||
Concerto in E-Fat Major, Hob. Vlle: 1: II. Andante | Joseph Haydn, Rex Richardson, Classic FM Radio Orchestra, Grigor Palikarov | G Major | 1 | 9B | 125 BPM | ||
Sonata No. 10 in F Major, “L’ affetuosa”: I. Allegro affettuoso | Giuseppe Sammartini, Claudio Ferrarini, Accademia Farnese | C Major | 4 | 8B | 213 BPM | ||
Symphony in F Major, F. 28: III. Presto | Josef Mysliveček, Matthias Bamert, London Mozart Players | D Major | 0 | 10B | 87 BPM | ||
Overture in 8 Parts, Op. 5 No. 6: II. Andante | William Smethergell, Südwestdeutsches Kammerorchester Pforzheim, Douglas Bostock | G Major | 1 | 9B | 73 BPM | ||
Introduction & Variations on "Trockne Blumen", Op. 160, D. 802 (Arr. for Flute & String Quintet by Anonymous): Var. 5 | Franz Schubert, Krzysztof Kaczka, Metropolitan Opera Orchestra | E Major | 1 | 12B | 105 BPM | ||
Handel: Concerto grosso in G Major, Op. 3 No. 3, HWV 314: III. Adagio | George Frideric Handel, Jean-Pierre Rampal, Huguette Fernandez, Jean-François Paillard, Orchestre de chambre Jean-François Paillard | G Major | 1 | 9B | 77 BPM | ||
Introduction & Variations on "Trockne Blumen", Op. 160, D. 802 (Arr. for Flute & String Quintet by Anonymous): Var. 1 | Franz Schubert, Krzysztof Kaczka, Metropolitan Opera Orchestra | E Major | 2 | 12B | 83 BPM |
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