"Triste estaba el rey David - 1989 Digital Remaster" by Alonso Mudarra, Anthony Rooley, The King's Singers was released on 1989. The duration of Triste estaba el rey David - 1989 Digital Remaster is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Triste estaba el rey David - 1989 Digital Remaster's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 34 in the song's album "The King's Singers Madrigal History Tour". In this album, this song's track order is #24. In terms of popularity, Triste estaba el rey David - 1989 Digital Remaster is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Triste estaba el rey David - 1989 Digital Remaster by Alonso Mudarra, Anthony Rooley, The King's Singers having a BPM of 97 with a half-time of 48 BPM and a double-time of 194 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Maudit soyt | Heinrich Isaac, Capilla Flamenca, Patrick Denecker | E♭ Major | 1 | 5B | 50 BPM | ||
Soneto II | Enríquez de Valderrábano, Shirley Rumsey | F Major | 1 | 7B | 144 BPM | ||
Suite in E Minor, BWV 996: V. Bourée | Johann Sebastian Bach, Evangelina Mascardi | B Minor | 2 | 10A | 175 BPM | ||
Den haghel ende | Jacob Obrecht, Concerto Palatino | B♭ Major | 0 | 6B | 151 BPM | ||
La cancion del emperador. Mille Regres (after a Canzon by Josquin Desprez) | Luis de Narváez, Lutz Kirchhof | G Minor | 0 | 6A | 85 BPM | ||
Prelude, P. 98 | John Dowland, Nigel North | F Minor | 1 | 4A | 68 BPM | ||
Diferencias sobre el Conde Claros | Alonso Mudarra, John C. Williams | D Major | 1 | 10B | 96 BPM | ||
Duets for 2 Lutes in a minor and F Major (Losy) - Allemande | Edward Martin and Paul Berget | A♭ Minor | 1 | 1A | 181 BPM | ||
Terpsichore*: Spagnoletta | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | B♭ Major | 2 | 6B | 84 BPM | ||
La soave melodia | Andrea Falconieri, Luca Pianca | E Minor | 0 | 9A | 91 BPM |
Section: 0.5264925956726074
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