Antonio Salieri, Matthias Bamert, London Mozart Players's 'La locandiera Overture: II. Andantino' came out on January 1, 2001. The duration of La locandiera Overture: II. Andantino is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. La locandiera Overture: II. Andantino's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "Salieri: Symphonies & Overtures". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, La locandiera Overture: II. Andantino is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With La locandiera Overture: II. Andantino by Antonio Salieri, Matthias Bamert, London Mozart Players having a BPM of 110 with a half-time of 55 BPM and a double-time of 220 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM | ||
Etude in F Minor | Felix Mendelssohn, Benjamin Frith | B♭ Major | 0 | 6B | 75 BPM | ||
Oboe Concerto No. 1 in D Minor: I. Allegro | Ludwig August Lebrun, Bart Schneemann, Radio Chamber Orchestra, Jan Willem de Vriend | D Minor | 1 | 7A | 134 BPM | ||
Symphonie fantastique, Op. 14, H 48: V. Songe d'une nuit de sabbat | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 60 BPM | ||
Falstaff: Act I Scene 15: Finale primo: Bricconcella! alfin t'ho colta (Falstaff, Mrs. Ford) | Antonio Salieri, József Gregor, Mária Zempléni, Dénes Gulyás, Istvan Gati, Eva Panczel, Tamas Csurja, Eva Vamossy, Salieri Chamber Chorus, Salieri Chamber Orchestra, Tamas Pal | F Major | 2 | 7B | 89 BPM | ||
Trumpet Sonata in D Major, Z. 850: I. Allegro | Henry Purcell, Ede Inhoff, Hungarian State Opera Chamber Orchestra | E♭ Minor | 0 | 2A | 83 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : IV. Allegro | Arcangelo Corelli, Anna Holbling, Daniela Ruso, Quido Holbling, Ludovit Kanta, Capella Istropolitana | D Major | 3 | 10B | 129 BPM | ||
Elfentanz, Op. 39 - Dance of the Elves | David Popper, Metamorphose String Orchestra, Pavel Lyubomudrov, Mikael Samsonov | G Major | 4 | 9B | 96 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1060: III. Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 4 | 5A | 104 BPM | ||
Carmen Suite No. 1: 3. Intermezzo | Georges Bizet, Orchestre de Paris, Semyon Bychkov | B♭ Major | 0 | 6B | 74 BPM |
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