Henrik Siebold, Denis Moschitto made "Track 135 - Inspektor Takeda und die stille Schuld - Inspektor Takeda ermittelt, Band 5" available on February 15, 2021. The duration of Track 135 - Inspektor Takeda und die stille Schuld - Inspektor Takeda ermittelt, Band 5 is about 3 minutes long, at 3:09. Based on our data, "Track 135 - Inspektor Takeda und die stille Schuld - Inspektor Takeda ermittelt, Band 5" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Henrik Siebold's "Inspektor Takeda und die stille Schuld [Inspektor Takeda ermittelt, Band 5, Kriminalroman (unabridged)]" album is number 135 out of 217. On top of that, Germany appears to be the country where this track was created. The popularity of Track 135 - Inspektor Takeda und die stille Schuld - Inspektor Takeda ermittelt, Band 5 is currently not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Track 135 - Inspektor Takeda und die stille Schuld - Inspektor Takeda ermittelt, Band 5 by Henrik Siebold, Denis Moschitto to be Vivace (lively and fast) because the track has a tempo of 169 BPM, a half-time of 84BPM, and a double-time of 338 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kapitel 9 - Das Sherlock Holmes Ostern-Spezial (Das Turiner Grabtuch, Folge 1) | Das Sherlock Holmes Ostern-Spezial - Das Turiner Grabtuch, Sherlock Holmes, Arthur Conan Doyle | A Major | 3 | 11B | 75 BPM | ||
Kapitel 14 - Code Red - Nebula Rising, Band 1 | Thariot, Matthias Lühn | B♭ Minor | 3 | 3A | 123 BPM | ||
Kapitel 142 - Wie die Saat, so die Ernte - Commissario Brunettis zweiunddreißigster Fall - Commissario Brunetti, Band 32 | Donna Leon, Joachim Schönfeld | B Minor | 3 | 10A | 185 BPM | ||
Kapitel 22 - Code Red - Nebula Rising, Band 1 | Thariot, Matthias Lühn | G Major | 3 | 9B | 114 BPM | ||
Kapitel 91 - Faule Fische fängt man nicht | Christiane Franke, Cornelia Kuhnert | D♭ Major | 3 | 3B | 80 BPM | ||
Kapitel 12 - Allmen und die Dahlien - Allmen 3 | Martin Suter, Gert Heidenreich | A Minor | 3 | 8A | 182 BPM | ||
Teil 6 - Luther | Guido Dieckmann, Andreas Fröhlich | F♯ Minor | 4 | 11A | 90 BPM | ||
Das zweite Kapitel - Teil 03 | Ulrich Matthes, Franz Kafka | D♭ Minor | 3 | 12A | 109 BPM | ||
Kapitel 33 - Psychospiel | Natalie Tielcke, Sebastian Walch, Jana Kozewa, Robert Frank | F♯ Major | 4 | 2B | 115 BPM | ||
Kapitel 6 - Das Sherlock Holmes Ostern-Spezial (Das Turiner Grabtuch, Folge 2) | Das Sherlock Holmes Ostern-Spezial - Das Turiner Grabtuch, Sherlock Holmes, Arthur Conan Doyle | B Minor | 3 | 10A | 88 BPM |
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