Antonio Vivaldi, Ingrid Seifert, Richard Gwilt, Charles Medlam, Terence R. Charlston, Irmgard Schaller, London Baroque made "Trio Sonata in B-Flat Major, Op. 5, No. 17, RV 76: III. Corrente (Allegro)" available on August 31, 2000. The duration of Trio Sonata in B-Flat Major, Op. 5, No. 17, RV 76: III. Corrente (Allegro) is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Trio Sonata in B-Flat Major, Op. 5, No. 17, RV 76: III. Corrente (Allegro)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vivaldi: Trio Sonatas, Op. 1 by Antonio Vivaldi, London Baroque, Charles Medlam. The song's track number on the album is #11 out of 62 tracks. Based on our data, Sweden was the country where this track was produced or recorded. In terms of popularity, Trio Sonata in B-Flat Major, Op. 5, No. 17, RV 76: III. Corrente (Allegro) is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
Since Trio Sonata in B-Flat Major, Op. 5, No. 17, RV 76: III. Corrente (Allegro) by Antonio Vivaldi, Ingrid Seifert, Richard Gwilt, Charles Medlam, Terence R. Charlston, Irmgard Schaller, London Baroque has a tempo of 107 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Trio Sonata in B-Flat Major, Op. 5, No. 17, RV 76: III. Corrente (Allegro) being at 107 BPM, the half-time would be 54 BPM with a double-time of 214 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto in D Minor for Oboe, Strings and Basso continuo: I. Andante e spiccato | Alessandro Marcello, Frans Brüggen, L'arpa Festante | D♭ Minor | 0 | 12A | 115 BPM | ||
Trio Sonata in B-Flat Major, H. 584, Wq. 158: II. Largo con sordini | Carl Philipp Emanuel Bach, London Baroque | D Major | 0 | 10B | 123 BPM | ||
Sonata da chiesa a tre in G Major, Op. 1, No. 9: II. Allegro | REBEL, Rebel | F♯ Major | 2 | 2B | 113 BPM | ||
Trio Sonata in E-Flat Major, Op. 8, No. 6: III. Presto | Giuseppe Tartini, Danubius Ensemble | D Major | 1 | 10B | 81 BPM | ||
Concerto Grosso in G Minor, Op. 1, No. 12: IV. Presto | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | G Minor | 5 | 6A | 107 BPM | ||
Mystery (Rosary) Sonata No. 5, "The 12-Year-Old Jesus in the Temple": III. Gigue | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia | A♭ Major | 2 | 4B | 76 BPM | ||
Sonata In D For Violin And Continuo: Allegro - Adagio - Allegro | Johann Georg Pisendel, La Serenissima, Adrian Chandler, violin | D Major | 3 | 10B | 92 BPM | ||
Concerto for Strings in C Major, RV 114: II. Ciaccona | Antonio Vivaldi, Ingrid Seifert, Richard Gwilt, Charles Medlam, Terence R. Charlston, Irmgard Schaller, London Baroque | B Major | 2 | 1B | 139 BPM | ||
Sonata à 3 in D Minor, Op. 2 No. 6: VII. Aria. Vivace | Carolus Hacquart, London Baroque | E Major | 2 | 12B | 83 BPM | ||
Varie partite del passemezo, ciaccona, capricii, e passagalii, Op. 7: Ciaccona | Giovanni Battista Vitali, London Baroque | E Major | 1 | 12B | 101 BPM |
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