Antonio Caldara, Claudio Ferrarini, Accademia Farnese's 'Sinfonia Nо. 3 in fa minore (La morte d'Abel): IV. Grave' came out on April 15, 2022. With Sinfonia Nо. 3 in fa minore (La morte d'Abel): IV. Grave being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 13 out of 51 in Antonio Caldara: 12 Sinfonie a quattro su Azione sacra by Antonio Caldara, Claudio Ferrarini, Accademia Farnese. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. In terms of popularity, Sinfonia Nо. 3 in fa minore (La morte d'Abel): IV. Grave is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sinfonia Nо. 3 in fa minore (La morte d'Abel): IV. Grave by Antonio Caldara, Claudio Ferrarini, Accademia Farnese is Andante (at a walking pace), since this song has a tempo of 96 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Te Deum, H. 146: III. Te aeternum Patrem | Marc-Antoine Charpentier, Véronique Gens, William Christie, Gilles Ragon, Jean-Paul Fouchécourt, Les Arts Florissants, Bernard Deletré | D♭ Major | 3 | 3B | 116 BPM | ||
Vespro della Beata Vergine, SV 206: I. Deus in adjutorium | Claudio Monteverdi, Netherlands Chamber Choir, Concerto Vocale, René Jacobs | E Minor | 1 | 9A | 70 BPM | ||
Violin Sonata No. 2 in D Major: I. Presto | Élisabeth Jacquet de La Guerre, Lina Tur Bonet, Patxi Montero, Kenneth Weiss | C Major | 1 | 8B | 86 BPM | ||
Fago: Confitebor tibi Domine: I. "Confitebor tibi Domine" | Francesco Nicola Fago, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | F♯ Major | 2 | 2B | 90 BPM | ||
Dixit Dominus, RV 595: VIII. Aria "De torrente in via bibet" | Antonio Vivaldi, Jordi Savall, Anthony Roth Costanzo, Le Concert Des Nations | B♭ Minor | 0 | 3A | 92 BPM | ||
Violin Concerto in C Major, Op. 7 No. 3: I. Allegro | Jean-Marie Leclair, Fabio Biondi, Europa Galante | B Major | 2 | 1B | 83 BPM | ||
Trio Sonata in C Major, TWV 42:C2: I. Dolce | Georg Philipp Telemann, Erik Bosgraaf, Lucile Boulanger, Robert Smith, Alessandro Pianu | B Major | 0 | 1B | 94 BPM | ||
Concerto For 3 Harpsichords In C Major, BWV 1064: III. Allegro | Cologne Chamber Orchestra, Christoph Anselm Noll, Robert Hill, Gerald Hambitzer, Johann Sebastian Bach | C Major | 3 | 8B | 91 BPM | ||
Concerto Grosso No. 5 in D Minor (after D. Scarlatti): I. Largo | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | D♭ Minor | 1 | 12A | 123 BPM | ||
Concerto Grosso in E Minor, Op. 3, No. 3: I. Allegro | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | E Minor | 2 | 9A | 102 BPM |
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