"Concerti a più istrumenti in E Major, Op. 6 No. 11, II. Aria" by Evaristo Felice Dall'Abaco, Davide Monti, Orchestra Barocca di Verona, Il Tempio Armonico, Alberto Rasi was released on October 23, 2008. The duration of Concerti a più istrumenti in E Major, Op. 6 No. 11, II. Aria is about 3 minutes long, at 3:16. Based on our data, "Concerti a più istrumenti in E Major, Op. 6 No. 11, II. Aria" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 5 out of 37 in Dall'Abaco: Concerti a più istrumenti by Evaristo Felice Dall'Abaco, Alberto Rasi, Il Tempio Armonico, Orchestra Barocca di Verona, Davide Monti. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. Concerti a più istrumenti in E Major, Op. 6 No. 11, II. Aria is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerti a più istrumenti in E Major, Op. 6 No. 11, II. Aria by Evaristo Felice Dall'Abaco, Davide Monti, Orchestra Barocca di Verona, Il Tempio Armonico, Alberto Rasi is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ouverture for Strings & Continuo in A Major: V. Rondeau - Allegro | Giuseppe Antonio Brescianello, La Serenissima, Adrian Chandler | E Major | 3 | 12B | 200 BPM | ||
Céphale et Procris, Prologue: Reprise de l'ouverture comme entr'acte | Élisabeth Jacquet de La Guerre, Reinoud Van Mechelen, A Nocte Temporis | F Minor | 1 | 4A | 75 BPM | ||
Leclair: Scylla et Glaucus, Op. 11, Prologue: Air gracieux | Jean-Marie Leclair, John Eliot Gardiner, English Baroque Soloists | A♭ Minor | 0 | 1A | 68 BPM | ||
Concerto No. 1 In D Major RV 549: III. Allegro (Vivaldi) | Accademia Bizantina | D♭ Major | 2 | 3B | 144 BPM | ||
Concerto Grosso in B-Flat Major, Op. 3 No 1, HWV 312: II. Largo - 2014 Remaster | George Frideric Handel, August Wenzinger, Cappella Coloniensis des WDR | F♯ Minor | 3 | 11A | 93 BPM | ||
Concerto Armonico No. 1 in G Major: Un poco andante | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | E♭ Minor | 1 | 2A | 103 BPM | ||
6 Concerts transcrits en sextuor / 5e concert: 1. La Forqueray | Jean-Philippe Rameau, Les Talens Lyriques, Christophe Rousset | F Minor | 3 | 4A | 100 BPM | ||
Symphony No.1 (1st Movement) | William Boyce, State Ceremonial Music | B♭ Major | 2 | 6B | 105 BPM | ||
Violin Concerto in A Major, Op. 3, No. 8: II. Largo | Carlo Tessarini, Fabrizio Ammetto, Orfeo Ensemble, L' | C Major | 1 | 8B | 176 BPM | ||
Suite in D Major, Op. 2, No. 1: VI. Menuet Le Comte de Brione | Jacques Hotteterre, Barthold Kuijken, Wieland Kuijken, Robert Kohnen | C Major | 1 | 8B | 81 BPM |
Section: 0.706489086151123
End: 0.7104244232177734