"Puccini: Madama Butterfly, Act 2, Scene 1: "Sai cos'ebbe cuore di pensare" (Butterfly, Sharpless)" by Giacomo Puccini, Antonio Pappano, Angela Gheorghiu, Fabio Maria Capitanucci, Orchestra dell'Accademia Nazionale di Santa Cecilia had its release date on February 27, 2009. The duration of This song is about 3 minutes long, at 3:17. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 46 in the song's album "Puccini: Madama Butterfly". In this album, this song's track order is #6. Puccini: Madama Butterfly, Act 2, Scene 1: "Sai cos'ebbe cuore di pensare" (Butterfly, Sharpless) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Puccini: Madama Butterfly, Act 2, Scene 1: "Sai cos'ebbe cuore di pensare" (Butterfly, Sharpless) by Giacomo Puccini, Antonio Pappano, Angela Gheorghiu, Fabio Maria Capitanucci, Orchestra dell'Accademia Nazionale di Santa Cecilia having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 5/4.
This song is in the music key of A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'Heure exquise | Reynaldo Hahn, Susan Graham | D♭ Major | 0 | 3B | 79 BPM | ||
Handel: Giulio Cesare in Egitto, HWV 17, Act III: "Piangerò la sorte mia" (Cleopatra) | George Frideric Handel, Sabine Devieilhe, Raphael Pichon | E♭ Major | 1 | 5B | 181 BPM | ||
Puccini: Madama Butterfly, Act 1: "Viene la sera" (Pinkerton, Butterfly) | Giacomo Puccini, Angela Gheorghiu, Jonas Kaufmann, Enkelejda Shkosa, Orchestra dell' Accademia Nazionale di Santa Cecilia, Roma, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | A Major | 1 | 11B | 82 BPM | ||
Casanova: Nuns' Chorus | Johann Strauss II, Kiri Te Kanawa, The Tabernacle Choir at Temple Square, Utah Symphony Orchestra, Julius Rudel | F♯ Major | 2 | 2B | 100 BPM | ||
Vaga luna, che inargenti | Vincenzo Bellini, Rolando Villazón, Orchestra del Maggio Musicale Fiorentino, Marco Armiliato | B♭ Major | 1 | 6B | 73 BPM | ||
Puccini: Madama Butterfly, Act 1: "Ah! Ah! quanto cielo! quanto mar!" (Chorus, Butterfly, Goro) | Giacomo Puccini, Antonio Pappano, Angela Gheorghiu, Coro dell'Accademia Nazionale Di Santa Cecilia, Gregory Bonfatti, Orchestra dell'Accademia Nazionale di Santa Cecilia | D♭ Major | 1 | 3B | 52 BPM | ||
By the Sleepy Lagoon | Eric Coates, David Parry, BBC Symphony Orchestra | C Major | 0 | 8B | 135 BPM | ||
Grieg: Peer Gynt, Op. 23, Act 4: Prelude. Morning Mood | Edvard Grieg, Academy of St. Martin in the Fields, Sir Neville Marriner | E Major | 0 | 12B | 137 BPM | ||
La Sonnambula (1997 - Remaster): Aria - Ah! non credea mirarti | Vincenzo Bellini, Tullio Serafin, Maria Callas | C Major | 1 | 8B | 81 BPM | ||
Le Comte Ory, Act I, Scene VIII, No. 4: En proie à la tristesse... Vous que l'on dit sensible... Céleste providence | Gioachino Rossini, Pretty Yende, Marco Armiliato | E♭ Major | 2 | 5B | 88 BPM |