"Saul, HWV53: 7. Air: With what a scornful air" by Handel, J Vyvyan, The Copenhagen Boys Choir, T Hemsley, L Dutoit, H Watts, E Thorborg, H Handt, Vienna Symph Orch, M Wöldike was released on February 19, 2013. The duration of Saul, HWV53: 7. Air: With what a scornful air is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Saul, HWV53: 7. Air: With what a scornful air's duration is considered a little bit shorter than the average duration of a typical track. The song is number 115 out of 302 in Big Handel Box by Handel, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Saul, HWV53: 7. Air: With what a scornful air is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Saul, HWV53: 7. Air: With what a scornful air by Handel, J Vyvyan, The Copenhagen Boys Choir, T Hemsley, L Dutoit, H Watts, E Thorborg, H Handt, Vienna Symph Orch, M Wöldike is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso Op.25-2 D Major 'Watermusic Suite No.2': Allegro | I Musici Di San Marco, Alberto Lizzio | D Major | 1 | 10B | 105 BPM | ||
Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 1 | 3B | 130 BPM | ||
Sinfonia in B mayor: 3. Presto | Georg Matthias Monn, Camerata Bern, Thomas Füri | F♯ Major | 2 | 2B | 138 BPM | ||
Le bourgeois gentilhomme: Chaconne des Scaramouches, Frivelins et Arlequins | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 0 | 2B | 0 BPM | ||
Solomon, HWV 67: Sinfonia "Arrival of the Queen of Sheba" | George Frideric Handel, Raymond Leppard, English Chamber Orchestra | B♭ Major | 3 | 6B | 119 BPM | ||
Gigue from Sonata, Op. 5, No. 9 | Arcangelo Corelli, Richard Kapp, Philharmonia Virtuosi of New York | A Major | 2 | 11B | 62 BPM | ||
Requiem In D Minor, K.626: 7. Agnus Dei | Wolfgang Amadeus Mozart, Anna Tomowa-Sintow, Wiener Singverein, Wiener Philharmoniker, Herbert von Karajan | F Major | 1 | 7B | 87 BPM | ||
Canon and Gigue in D Major, P. 37: II. Gigue (Arr. Seiffert for Orchestra) | Johann Pachelbel, Berliner Philharmoniker, Herbert von Karajan, Frank Maus | D Major | 1 | 10B | 83 BPM | ||
Shéhérazade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | E Major | 1 | 12B | 136 BPM | ||
Oboe Concerto in B-Flat Major, Wq. 164, H. 466: I. Allegretto | Carl Philipp Emanuel Bach, Jozsef Kiss, Budapest Ferenc Erkel Chamber Orchestra | B♭ Major | 1 | 6B | 131 BPM |
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