Kurt Weill, Willy Trenk-Trebitsch, Wolfgang Grunert, Wilhelm Brückner-Rüggeberg made "Die Dreigroschenoper: Akt III, Das Lied von der Unzulänglichkeit ("Der Mensch lebt durch den Kopf")" available on 1958. The duration of Die Dreigroschenoper: Akt III, Das Lied von der Unzulänglichkeit ("Der Mensch lebt durch den Kopf") is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. Die Dreigroschenoper: Akt III, Das Lied von der Unzulänglichkeit ("Der Mensch lebt durch den Kopf")'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Weill: Die Dreigroschenoper by Kurt Weill, Lotte Lenya. The song's track number on the album is #20 out of 26 tracks. Die Dreigroschenoper: Akt III, Das Lied von der Unzulänglichkeit ("Der Mensch lebt durch den Kopf") is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Since Die Dreigroschenoper: Akt III, Das Lied von der Unzulänglichkeit ("Der Mensch lebt durch den Kopf") by Kurt Weill, Willy Trenk-Trebitsch, Wolfgang Grunert, Wilhelm Brückner-Rüggeberg has a tempo of 72 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Die Dreigroschenoper: Akt III, Das Lied von der Unzulänglichkeit ("Der Mensch lebt durch den Kopf") being at 72 BPM, the half-time would be 36 BPM with a double-time of 144 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Das Eifersuchtsduett (2.Akt) (Erste Wolken am Himm | Bertolt Brecht, Kurt Weill | C Major | 3 | 8B | 120 BPM | ||
Ich hab mein Herz in Heidelberg verloren | Alfred Scholl | G Major | 4 | 9B | 115 BPM | ||
Wir Machen Musik | Ilse Werner | B♭ Major | 4 | 6B | 126 BPM | ||
Das Gibt Nur Einmal | Marek Weber | G Minor | 4 | 6A | 98 BPM | ||
Du laß' dich nicht verhärten | Wolf Biermann | F♯ Major | 8 | 2B | 62 BPM | ||
Mütterlein | Georg Kreisler | B♭ Major | 4 | 6B | 109 BPM | ||
Manchmal sagt der Opa Sachen | Gerhard Schöne | C Major | 1 | 8B | 141 BPM | ||
Street Scene: Children's Game | Kurt Weill, Bennett Burrill, Helen Ferguson, Peter Griffith, Street Scene Enesemble, Maurice Abravanel | F Major | 4 | 7B | 102 BPM | ||
My Fair Lady: Bringt Mich Pünktlich Zum Altar | Alfred Schieske, Boris Greverus, Rex Gildo, Hans Hardt, Paul Hubschmid, Karin Hubner, Kurt Pratsch-Kaufmann, Diverse Saenger Und Saengerinnen, Friedrich Schoenfelder | G Major | 4 | 9B | 137 BPM | ||
Du Und Ich Im Mondenschein | Ilse Werner | F Major | 4 | 7B | 173 BPM |
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