"Ubi caritas, Op. 10" by Maurice Duruflé, Texas Two Year College All State Choir, Thomas Jaber, Lynne Gackle was released on November 6, 2012. The duration of Ubi caritas, Op. 10 is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Ubi caritas, Op. 10's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 2012 Texas Music Educators Association (TMEA): Texas Two-Year College All-State Choir, so we believe that "Ubi caritas, Op. 10" is a single. In terms of popularity, Ubi caritas, Op. 10 is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Ubi caritas, Op. 10 by Maurice Duruflé, Texas Two Year College All State Choir, Thomas Jaber, Lynne Gackle is Andante (at a walking pace), since this song has a tempo of 100 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
My Love Dwelt in A Northern Land, Op. 18, No. 3 | Edward Elgar, musica intima | A Minor | 1 | 8A | 105 BPM | ||
My Spirit Sang All Day | Gerald Finzi, Apollo5 | G Major | 1 | 9B | 76 BPM | ||
4 Gesange, Op. 17: Es tont ein voller Harfenklang | Johannes Brahms, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | C Major | 1 | 8B | 111 BPM | ||
Kronstorfer Messe in D Minor, WAB 146: III. Benedictus | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | D Minor | 0 | 7A | 70 BPM | ||
Requiem, Op. 9: Agnus Dei | Maurice Duruflé, Collegium Vocale Seoul | G Major | 2 | 9B | 169 BPM | ||
Canticles & Prayers, Inexpressible Wonder: No. 3, It Is Worth Eating | Georgy Sviridov, Latvian Radio Choir, Sigvards Kļava | F Major | 0 | 7B | 77 BPM | ||
Brewer: Magnificat in D | Blackburn Cathedral Choir, Blackburn Cathedral Girls' Choir, The Renaissance Singers of Blackburn Cathedral | D Major | 1 | 10B | 92 BPM | ||
Requiem, Op. 9 (1961 version): Domine Jesu Christe | Maurice Duruflé, Didier Henry, Eric Lebrun, François Poly, Beatrice Uria-Monzon, Marc Vieillefon, Michel Piquemal Vocal Ensemble, Orchestre De La Cite, Michel Piquemal | D♭ Minor | 1 | 12A | 129 BPM | ||
Mass for Double Choir: Gloria | Frank Martin, Mikaeli Chamber Choir, Anders Eby | D Minor | 1 | 7A | 86 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: IV. Hallelujah | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | C Major | 1 | 8B | 107 BPM |
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