Elektra, Op.58, TrV 223: "Was bluten muß? Dein eigenes Genick"
Richard Strauss, Birgit Nilsson, Regina Resnik, Wiener Philharmoniker, Sir Georg Solti
Strauss, R.: Elektra
4:24 January 1, 1967
BPM
91
Key
C Minor
Camelot
5A

Embed

Share Link

Elektra, Op.58, TrV 223: "Was bluten muß? Dein eigenes Genick" - Richard Strauss, Birgit Nilsson, Regina Resnik, Wiener Philharmoniker, Sir Georg Solti Information

Acousticness
94%
Danceability
45%
Energy
34%
Instrumentalness
0%
Liveness
85%
Loudness
76%
Speechiness
20%
Valence
21%
Popularity
Loudness
-14.278 dB

Summary

Richard Strauss, Birgit Nilsson, Regina Resnik, Wiener Philharmoniker, Sir Georg Solti's 'Elektra, Op.58, TrV 223: "Was bluten muß? Dein eigenes Genick"' came out on January 1, 1967. With this song being around four minutes long, at 4:24, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 29 in the song's album "Strauss, R.: Elektra". In this album, this song's track order is #11. In terms of popularity, Elektra, Op.58, TrV 223: "Was bluten muß? Dein eigenes Genick" is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Elektra, Op.58, TrV 223: "Was bluten muß? Dein eigenes Genick" BPM

With Elektra, Op.58, TrV 223: "Was bluten muß? Dein eigenes Genick" by Richard Strauss, Birgit Nilsson, Regina Resnik, Wiener Philharmoniker, Sir Georg Solti having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.

Elektra, Op.58, TrV 223: "Was bluten muß? Dein eigenes Genick" Key

This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Violin Concerto No. 2 in A Major, Op. 5: II. Largo by Joseph Boulogne Chevalier de Saint-Georges, Anne-Sophie Mutter, Mutter's VirtuosiViolin Concerto No. 2 in A Major, Op. 5: II. LargoJoseph Boulogne Chevalier de Saint-Georges, Anne-Sophie Mutter, Mutter's VirtuosiD Minor17A104 BPM
Symphony No. 4 in A Major, Op. 90 Symphony No. 4 in A Major, Op. 90 "Italian": Symphony No. 4 in A Major, Op. 90 "Italian": IV. Presto and Finale. SaltarelloFelix Mendelssohn, Freiburger Barockorchester, Pablo Heras-CasadoE Minor19A100 BPM
Ruslan and Lyudmila, Op. 5: Overture by Mikhail Glinka, Taras Shtonda, Ekaterina Morozova, Vadim Lynkovsky, Aleksandra Durseneva, Panfilov, Maria Gavrilova, Valery Gilmanov, Maksim Paster, Irina Dolzhenko, Bolshoi Theatre Orchestra, Alexander VedernikovRuslan and Lyudmila, Op. 5: OvertureMikhail Glinka, Taras Shtonda, Ekaterina Morozova, Vadim Lynkovsky, Aleksandra Durseneva, Panfilov, Maria Gavrilova, Valery Gilmanov, Maksim Paster, Irina Dolzhenko, Bolshoi Theatre Orchestra, Alexander VedernikovE Minor19A154 BPM
Elégie in C minor Op. 24 - 1995 Remastered Version by Gabriel Fauré, Jacqueline du PréElégie in C minor Op. 24 - 1995 Remastered VersionGabriel Fauré, Jacqueline du PréA♭ Major04B90 BPM
Poulenc: Concerto for Two Pianos in D Minor, FP 61: I. Allegro ma non troppo by Francis Poulenc, James Conlon, Rotterdam Philharmonic OrchestraPoulenc: Concerto for Two Pianos in D Minor, FP 61: I. Allegro ma non troppoFrancis Poulenc, James Conlon, Rotterdam Philharmonic OrchestraE♭ Major15B103 BPM
Kinderszenen, Op.15: 4. Bittendes Kind by Robert Schumann, Martha ArgerichKinderszenen, Op.15: 4. Bittendes KindRobert Schumann, Martha ArgerichD Major010B113 BPM
Le roi s'amuse: Final by Léo Delibes, Slovak Philharmonic, Ondrej LenardLe roi s'amuse: FinalLéo Delibes, Slovak Philharmonic, Ondrej LenardA Minor18A94 BPM
Symphony No. 1 in G Minor: IV. Finale. Allegro agitato by Étienne Nicolas Méhul, Christoph Konig, Soloists Européens LuxembourgSymphony No. 1 in G Minor: IV. Finale. Allegro agitatoÉtienne Nicolas Méhul, Christoph Konig, Soloists Européens LuxembourgG Minor36A115 BPM
Ma mère l'oye, M. 62: Tableau VI: Le jardin feerique by Maurice Ravel, Orchestre National De Lyon, Leonard SlatkinMa mère l'oye, M. 62: Tableau VI: Le jardin feeriqueMaurice Ravel, Orchestre National De Lyon, Leonard SlatkinC Major08B42 BPM
The Firebird (L'oiseau De Feu) - Suite (1919): Finale by Igor Stravinsky, Orchestre de l'Opéra Bastille, Myung-Whun ChungThe Firebird (L'oiseau De Feu) - Suite (1919): FinaleIgor Stravinsky, Orchestre de l'Opéra Bastille, Myung-Whun ChungE Major212B78 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.8395144939422607

End: 0.8461246490478516