Franz Liszt, Gewandhausorchester Leipzig, Kurt Masur's 'Von der Wiege bis zum Grabe, S.107 (1996 - Remaster): Der Kampf um's Dasein' came out on January 23, 2021. The duration of Von der Wiege bis zum Grabe, S.107 (1996 - Remaster): Der Kampf um's Dasein is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Von der Wiege bis zum Grabe, S.107 (1996 - Remaster): Der Kampf um's Dasein's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 100 in the song's album "Sleeping Liszt". In this album, this song's track order is #41. In terms of popularity, Von der Wiege bis zum Grabe, S.107 (1996 - Remaster): Der Kampf um's Dasein is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Von der Wiege bis zum Grabe, S.107 (1996 - Remaster): Der Kampf um's Dasein by Franz Liszt, Gewandhausorchester Leipzig, Kurt Masur having a BPM of 115 with a half-time of 58 BPM and a double-time of 230 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Liebeslied (Widmung), S. 566 | Franz Liszt, YUNDI | A♭ Major | 0 | 4B | 73 BPM | ||
Sonata No. 42 in D Minor (Arr. Ólafsson) | Domenico Cimarosa, Víkingur Ólafsson | D Minor | 0 | 7A | 61 BPM | ||
Montero: Adagio (After Bach's Violin Concerto No. 2, BWV 1042) | Johann Sebastian Bach, Gabriela Montero | F♯ Minor | 0 | 11A | 73 BPM | ||
Keyboard Sonata in C Major, Kk. 159 | Domenico Scarlatti, Alon Goldstein | C Major | 2 | 8B | 120 BPM | ||
Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | ||
Variations on a Rococo Theme, Op. 33, TH 57: Var: VI. Andante | Pyotr Ilyich Tchaikovsky, Jean-Guihen Queyras, BBC Symphony Orchestra, Jiří Bělohlávek | D Major | 0 | 10B | 114 BPM | ||
Nocturne No. 7 in Eb Major, FP. 56 | Francis Poulenc, Belle Chen | F Minor | 1 | 4A | 76 BPM | ||
Fantaisie-Impromptu in C-Sharp Minor, Op. 66 | Frédéric Chopin, Daniil Trifonov | D♭ Major | 1 | 3B | 70 BPM | ||
Liebesleid | Fritz Kreisler, Joshua Bell, Paul Coker | A Major | 1 | 11B | 74 BPM | ||
Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924 | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 139 BPM |
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