"Six German Dances, D.820: No. 2" by Franz Schubert, András Schiff was released on January 1, 1992. With Six German Dances, D.820: No. 2 being less than two minutes long, at 1:00, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 18 in the song's album "Schubert: Impromptus; Moments Musicaux; 6 German Dances". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Six German Dances, D.820: No. 2's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Six German Dances, D.820: No. 2 by Franz Schubert, András Schiff having a BPM of 132 with a half-time of 66 BPM and a double-time of 264 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gavotte (Paride ed Elena) | Christoph Willibald Gluck, Johannes Brahms, Matti Raekallio | A Major | 0 | 11B | 98 BPM | ||
12 Etudes d'exécution transcendante, S. 139: No. 1 Prélude (Presto) | Franz Liszt, Alice Sara Ott | C Major | 3 | 8B | 72 BPM | ||
Pictures at an Exhibition: The Great Gate of Kiev. Allegro Alla Breve. Maestoso. Con grandezza | Modest Mussorgsky, Ivo Pogorelich | E♭ Major | 2 | 5B | 112 BPM | ||
50 Russian Folk Songs, TH 176: 35. O My Heart, My Heavy Heart | Pyotr Ilyich Tchaikovsky, Valentina Lisitsa, Alexei Kuznetsoff | G Major | 0 | 9B | 105 BPM | ||
24 Preludes, Op. 11: No. 13 in G-Flat Major | Alexander Scriabin, Evgeny Zarafiants | F♯ Major | 0 | 2B | 136 BPM | ||
13 Pieces, Op. 76: No. 7 Affettuoso | Jean Sibelius, Håvard Gimse | E♭ Major | 0 | 5B | 102 BPM | ||
Musical Characteristics, Op. 19: XI. Prelude 1 alla Clementi | Muzio Clementi, Howard Shelley | B♭ Major | 1 | 6B | 132 BPM | ||
Sonata for Cello and Piano No. 2 in F Major, Op. 123: I. Maestoso, largamente | Camille Saint-Saëns, Emmanuelle Bertrand, Pascal Amoyel | F Major | 1 | 7B | 79 BPM | ||
10 Harmonies poétiques et religieuses, S.173 - 3.Bénédiction de Dieu dans la solitude: Andante - | Franz Liszt, Claudio Arrau | D Major | 0 | 10B | 66 BPM | ||
Nocturne No. 4 in A Major | John Field, Benjamin Frith | A Major | 0 | 11B | 69 BPM |
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