- BPM
- 129
- Key
- E Minor
- Camelot
- 9A
Aria: Warum Betrübst Du Dich, BWV516 - Pieter-Jan Belder, Arts Music Recording, Rotterdam, Johann Sebastian Bach Information
- Acousticness
- 97%
- Danceability
- 30%
- Energy
- 4%
- Instrumentalness
- 6%
- Liveness
- 19%
- Loudness
- 63%
- Speechiness
- 5%
- Valence
- 9%
- Popularity
- 0%
- Loudness
- -21.926 dB
Summary
"Aria: Warum Betrübst Du Dich, BWV516" by Pieter-Jan Belder, Arts Music Recording, Rotterdam, Johann Sebastian Bach was released on December 22, 2006. With Aria: Warum Betrübst Du Dich, BWV516 being less than two minutes long, at 1:46, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 30 out of 38 in Bach Edition Vol. 16, Chamber Music Part: 13 by Pieter-Jan Belder. Based on our statistics, Aria: Warum Betrübst Du Dich, BWV516's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Aria: Warum Betrübst Du Dich, BWV516 BPM
The tempo marking of Aria: Warum Betrübst Du Dich, BWV516 by Pieter-Jan Belder, Arts Music Recording, Rotterdam, Johann Sebastian Bach is Allegro (fast, quick, and bright), since this song has a tempo of 129 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
Aria: Warum Betrübst Du Dich, BWV516 Key
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Concerto I in D Major: I. Grave - Allegro - Adagio | Francesco Geminiani, Academy of Ancient Music, Andrew Manze | D♭ Major | 1 | 3B | 75 BPM | |
 | Concerto in D Minor; Op. 6 No. 5: IV. Allegro | Charles Avison, Café Zimmermann | D♭ Minor | 4 | 12A | 100 BPM | |
 | Sonata No. 6 in G Minor, Op. 2: III. Giga. Allegro | Arcangelo Corelli, Rémy Baudet, Sayuri Yamagata, Albert Brüggen, David Van Ooijen, Pieter-Jan Belder | A♭ Major | 3 | 4B | 121 BPM | |
 | I. Weinen, Klagen, Sorgen, Zagen BWV 12, 1. Sinfonia | Holland Boys Choir, Netherlands Bach Collegium, Trudy Van Der Wulp, Ruth Holton, Sytse Buwalda, Peter Frankenberg, Johann Sebastian Bach, Knut Schoch, Bas Ramselaar, Frank Wakelkamp, Susan Williams, Pieter Jan Leusink | F♯ Minor | 1 | 11A | 74 BPM | |
 | Pieces de clavecin: Suite in E Minor: IV. Gigue en rondeau II | Jean-Philippe Rameau, Gilbert Rowland | D♭ Minor | 4 | 12A | 108 BPM | |
 | Sinfonia in D Major, F. 64: III. Vivace | Wilhelm Friedemann Bach, Tafelmusik Baroque Orchestra, Jeanne Lamon | D♭ Major | 1 | 3B | 172 BPM | |
 | Symphony No. 4 in F Major, Op. 2, "Shepherd's Lottery": II. Vivace ma non troppo | William Boyce, Aradia Ensemble, Kevin Mallon | E Major | 0 | 12B | 118 BPM | |
 | Ground, Z. D221 | Henry Purcell, Richard Egarr | B♭ Minor | 2 | 3A | 120 BPM | |
 | Sonata in B minor, Op.4, No.12: 3. Giga (Allegro) | Arcangelo Corelli, Monica Huggett, Alison Bury, Hopkinson Smith, Ton Koopman, Jaap Ter Linden | B♭ Minor | 1 | 3A | 133 BPM | |
 | Sonata No. 1 In B Minor, H Moll BWV1014: Allegro | Luis Otavio Santos, Arts Music Recording, Rotterdam, Pieter-Jan Belder, Johann Sebastian Bach | B♭ Minor | 3 | 3A | 99 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6606249809265137
End: 0.6650595664978027