"Thétis et Pelée, Act III: Ciel ! en voyant ce temple redoutable" by Jean-Benjamin de La Borde, Reinoud Van Mechelen, A Nocte Temporis was released on September 22, 2023. With this song being about 5 minutes long, at 5:19, "Thétis et Pelée, Act III: Ciel ! en voyant ce temple redoutable" by Jean-Benjamin de La Borde, Reinoud Van Mechelen, A Nocte Temporis is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Reinoud Van Mechelen, A Nocte Temporis's "Legros, haute-contre de Gluck" album is number 3 out of 23. On top of that, France appears to be the country where this track was created. Thétis et Pelée, Act III: Ciel ! en voyant ce temple redoutable is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Thétis et Pelée, Act III: Ciel ! en voyant ce temple redoutable by Jean-Benjamin de La Borde, Reinoud Van Mechelen, A Nocte Temporis to be Andante (at a walking pace) because the track has a tempo of 89 BPM, a half-time of 44BPM, and a double-time of 178 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony in D Major, D. 13 "Non è bello quello che è bello mà quello che piace": III. Prestissimo | Leopold Mozart, Orchestra da Camera del Conservatorio di Mantova, Luca Bertazzi | D Major | 0 | 10B | 101 BPM | ||
String Quartet in E-Flat Major, Op. 50 No. 3: I. Allegro con brio | Joseph Haydn, London Haydn Quartet | G Minor | 2 | 6A | 81 BPM | ||
Romantic Pieces, Op.75, Allegro maestoso | アントニーン・ドヴォルザーク, KIM NAYOUNG | D Minor | 3 | 7A | 100 BPM | ||
Mysliveček: Ezio: Overture - III. Presto | Josef Mysliveček, Vaclav Luks | E Minor | 1 | 9A | 111 BPM | ||
Sonatina, Op. 100: Scherzo. Molto vivace | Antonín Dvořák, Josef Suk, Alfréd Holeček | G Major | 2 | 9B | 131 BPM | ||
6 Hungarian Dances: No. 4. Con Verbunk | Antal Gyorgy Csermak, Budapest Strings, Karoly Botvay | B♭ Major | 0 | 6B | 123 BPM | ||
Rondo | Giovanni Battista Martini, Roberto Giordano | G Minor | 2 | 6A | 115 BPM | ||
Sinfonia in F Major, Fk. 67: IV. Menuetto | Wilhelm Friedemann Bach, Salzburg Chamber Philharmonic Orchestra, Yoon K. Lee | F Major | 1 | 7B | 115 BPM | ||
Thema und Variationen concertante B-dur op.33 (Arie der Mechthilde aus SILVANA J 87 · Romatische Oper in 3 Akten) bearbeitet für Klarinette und Orchester: - Thema | Carl Maria von Weber, Sabine Meyer, Franz Welser-Moest, Franz Welser-Möst, Orchester der Oper Zürich | B♭ Major | 0 | 6B | 71 BPM | ||
Symphony No. 1 in C, Op. 21: 1. Adagio molto - Allegro con brio | Ludwig van Beethoven, Academy of Ancient Music, Christopher Hogwood | D Major | 1 | 10B | 151 BPM |
Section: 0.7399742603302002
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