"Hommage á T.S. Eliot (1987) - For Octet And Soprano: 4." by Sofia Gubaidulina, Gidon Kremer, Isabelle van Keulen, Tabea Zimmermann, David Geringas, Alois Posch was released on May 18, 2021. With Hommage á T.S. Eliot (1987) - For Octet And Soprano: 4. being less than two minutes long, at 1:24, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 11 out of 85 in Clara Schumann & Great Female Composers by Clara Schumann, Cécile Chaminade, Grażyna Bacewicz. In terms of popularity, Hommage á T.S. Eliot (1987) - For Octet And Soprano: 4. is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Hommage á T.S. Eliot (1987) - For Octet And Soprano: 4. by Sofia Gubaidulina, Gidon Kremer, Isabelle van Keulen, Tabea Zimmermann, David Geringas, Alois Posch is Andante (at a walking pace), since this song has a tempo of 105 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
7 Papillons: No. 4. — | Kaija Saariaho, Anssi Karttunen | G Major | 0 | 9B | 79 BPM | ||
5 Pieces for Orchestra, Op.16: 3. Farben | Arnold Schoenberg, Cleveland Orchestra, Christoph von Dohnányi | F Major | 0 | 7B | 71 BPM | ||
I. Sostenuto. Misurato. Prestissimo | György Ligeti, Claudia Janet Birkholz | D Major | 0 | 10B | 114 BPM | ||
Sonata for Violin and Cello (1920-22) / II. Très vif | Maurice Ravel, Yegor Dyachkov, Olivier Thouin | A Major | 1 | 11B | 79 BPM | ||
Mégalithes, Version 3: II. 5-2 - III. 97 | Gérard Grisey, Brynjar Kolbergsrud, Anne Marit Harbek, Benjamin Setsaas, Abel Pérez Armas, Thomas Gimse, Erlend Tynning Larsen, Nicolai Heuer, Marie Nøkleby Hanssen, Runa Eid Hermansen, Halvor Ovenstrøm, Erlend Aagaard-Nilsen, Jørgen Arnesen, Marie Solum Gran, Ingebjørg Bruket, Berger Iver Færder, Halldis Rønning | A Minor | 1 | 8A | 122 BPM | ||
Concerto for String Orchestra: I. Allegro | Grażyna Bacewicz, Capella Bydgostiensis, Mariusz Smolij | C Major | 2 | 8B | 125 BPM | ||
Preludes: Le nombre leger (The Light Number) | Olivier Messiaen, Håkon Austbø | B Major | 1 | 1B | 68 BPM | ||
Tout un monde lointain…: I. Énigme | Henri Dutilleux, Jean-Guihen Queyras, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg | D♭ Major | 1 | 3B | 74 BPM | ||
Enthusiasm for Flute and Viola | Paul Hindemith, Stathis Karapanos, David Aaron Carpenter | G Major | 0 | 9B | 113 BPM | ||
D'un jardin clair | Lili Boulanger, Emile Naoumoff | B Major | 0 | 1B | 100 BPM |
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