Edward Elgar, Sophie Kauer, London Symphony Orchestra, Natalie Murray Beale made "Cello Concerto in E Minor, Op. 85: IV. Allegro - Recording Session / First Take / Excerpt" available on October 21, 2022. With Cello Concerto in E Minor, Op. 85: IV. Allegro - Recording Session / First Take / Excerpt being less than two minutes long, at 1:32, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 20 in the song's album "TÁR (MUSIC FROM AND INSPIRED BY THE MOTION PICTURE)". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United States. In terms of popularity, Cello Concerto in E Minor, Op. 85: IV. Allegro - Recording Session / First Take / Excerpt is currently below average in popularity. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Cello Concerto in E Minor, Op. 85: IV. Allegro - Recording Session / First Take / Excerpt by Edward Elgar, Sophie Kauer, London Symphony Orchestra, Natalie Murray Beale having a BPM of 98 with a half-time of 49 BPM and a double-time of 196 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variations On An Original Theme, Op.36 "Enigma": 9. Nimrod (Adagio) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | E♭ Major | 0 | 5B | 79 BPM | ||
Gnossiennes, IES 24: I. Lent (Arr. for String Quartet by Krysia Osostowicz) | Erik Satie, Brodsky Quartet | F Minor | 0 | 4A | 84 BPM | ||
Control Room Talk - Recording Session | Rachel Smith, Natalie Murray Beale, Sophie Kauer, Todd Field | G Minor | 0 | 6A | 98 BPM | ||
Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 1 | 11B | 83 BPM | ||
3 Old Viennese Dances: No. 2, Liebesleid (Transcr. for Violin and Orchestra) | Fritz Kreisler, María Dueñas, Wiener Symphoniker, Manfred Honeck | G Major | 0 | 9B | 103 BPM | ||
Rain in Venice | Geoffrey Burgon | F Major | 3 | 7B | 70 BPM | ||
Raymonda, Act III: Variation 3 | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | D Major | 0 | 10B | 73 BPM | ||
Notturno in G Minor | Fanny Mendelssohn, Heather Schmidt | G Minor | 1 | 6A | 125 BPM | ||
Carnival of the Animals: IX. The Cuckoo in the Depths of the Woods | Camille Saint-Saëns, Barry Wordsworth, London Symphony Orchestra | E Major | 0 | 12B | 127 BPM | ||
Wagner: Albumblatt, WWV 94 | Richard Wagner, Renaud Capuçon | A Major | 2 | 11B | 87 BPM |
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