"The Sleeping Beauty, Op. 66 : Prologue, No.3 Pas de six, Introduction" by Saint Petersburg Radio and TV Symphony Orchestra, Stanislav Gorkovenko was released on January 1, 2012. With The Sleeping Beauty, Op. 66 : Prologue, No.3 Pas de six, Introduction being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 26 in the song's album "The Sleeping Beauty (excerpts from the Ballet)". In this album, this song's track order is #3. Based on our statistics, The Sleeping Beauty, Op. 66 : Prologue, No.3 Pas de six, Introduction's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Sleeping Beauty, Op. 66 : Prologue, No.3 Pas de six, Introduction by Saint Petersburg Radio and TV Symphony Orchestra, Stanislav Gorkovenko having a BPM of 130 with a half-time of 65 BPM and a double-time of 260 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Don Quixote: Act III: Quiteria's Variation | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | C Major | 1 | 8B | 167 BPM | ||
Act I: Invitation Of Toreros & Scene Of Toreros (Minkus) | Mariinsky Orchestra | F Major | 3 | 7B | 144 BPM | ||
Clarinet Concerto in A major, K. 622 : II. Adagio | Saint Petersburg Chamber Orchestra "Canon" , Adil Fedorov, Alexander Titov | D Major | 0 | 10B | 98 BPM | ||
La Scala di Seta (Overture) | Uberto Pieroni | C Major | 4 | 8B | 132 BPM | ||
Viola Sonata in D Minor: I. Allegro moderato | Mikhail Glinka, Nobuko Imai, Roland Pöntinen | D Minor | 1 | 7A | 125 BPM | ||
Peer Gynt Suite No. 1, Op. 46: III. Anitra's Dance: Tempo di Mazurka | Tbilisi Symphony Orchestra | E Minor | 0 | 9A | 134 BPM | ||
Symphony No. 4 In D Minor, Op. 120: 3. Scherzo | Robert Schumann, Wiener Philharmoniker, Herbert von Karajan | F♯ Major | 0 | 2B | 95 BPM | ||
Coppelia: Act I - Scene | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | F Major | 0 | 7B | 137 BPM | ||
Violin Concerto No. 4 in D Major, K. 218: I. Allegro | Wolfgang Amadeus Mozart, Arabella Steinbacher, Festival Strings Lucerne (musical direction), Lucerne Festival Strings, Daniel Dodds | A Major | 1 | 11B | 121 BPM | ||
Carnival of the Animals, R. 125: X. Birds | Camille Saint-Saëns, Marylene Dosse, Annie Petit, Württembergisches Kammerorchester Heilbronn, Jörg Faerber | C Minor | 2 | 5A | 79 BPM |
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