Camille Saint-Saëns, Tedi Papavrami, Orchestre Philharmonique Royal de Liège Wallonie Bruxelles, François-Xavier Roth's 'Introduction & Rondo capriccioso in A Minor, Op. 28' came out on April 26, 2010. Since Introduction & Rondo capriccioso in A Minor, Op. 28 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 6 in the song's album "Saint-Saëns: Introduction & Rondo capriccioso, Concerto No. 3 - Chausson: Poème - Ysaÿe: Poème élégiaque". In this album, this song's track order is #1. Based on our statistics, Introduction & Rondo capriccioso in A Minor, Op. 28's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Introduction & Rondo capriccioso in A Minor, Op. 28 by Camille Saint-Saëns, Tedi Papavrami, Orchestre Philharmonique Royal de Liège Wallonie Bruxelles, François-Xavier Roth having a BPM of 133 with a half-time of 66 BPM and a double-time of 266 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prelude & Fugue in C Major (Well-Tempered Clavier, Book I, No. 1), BWV 846: Prelude | Johann Sebastian Bach, Wilhelm Kempff | C Major | 1 | 8B | 102 BPM | ||
10 Preludes, Op. 23: No. 5 Alla marcia in G Minor | Sergei Rachmaninoff, Sviatoslav Richter | E♭ Major | 0 | 5B | 70 BPM | ||
Glazunov: Elegia, Op. 44 | Alexander Glazunov, Gérard Caussé | E♭ Major | 1 | 5B | 89 BPM | ||
Raymonda, Act III: Variation 3 | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | D Major | 0 | 10B | 73 BPM | ||
Salut d'amour, Op. 12 | Edward Elgar, Sueye Park, Love Derwinger | E Major | 1 | 12B | 83 BPM | ||
Serenade for Strings in E, Op. 22: 2. Tempo di valse | Antonín Dvořák, Academy of St. Martin in the Fields, Sir Neville Marriner | A♭ Minor | 1 | 1A | 71 BPM | ||
Sonata for Solo Violin No. 3 in D Minor, Op. 27 No. 3 "A Georges Enesco": Ballade (Lento molto sostenuto, molto moderato quasi lento, allegro in tempo giusto e con bravura) | Eugène Ysaÿe, Tedi Papavrami | A Minor | 2 | 8A | 127 BPM | ||
Berceuse in B-Flat Major, Op. 38 | Camille Saint-Saëns, Fanny Clamagirand, Vanya Cohen | E Major | 1 | 12B | 71 BPM | ||
Carnival of the Animals, R. 125: VII. Aquarium | Camille Saint-Saëns, Marian Lapsansky, Peter Toperczer, Slovak Radio Symphony Orchestra, Ondrej Lenard | A Minor | 0 | 8A | 134 BPM | ||
Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Major | 2 | 12B | 123 BPM |
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