"Memories of Childhood" by Alexandre Desplat was released on January 1, 2010. With this song being around four minutes long, at 3:36, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 14 in the song's album "The King's Speech OST". In this album, this song's track order is #5. Memories of Childhood is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Memories of Childhood by Alexandre Desplat having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Arrival of Little Knightleys | Samuel Sim | A♭ Major | 1 | 4B | 179 BPM | ||
The Bond of Sacrifice | Rob Lane | F Minor | 1 | 4A | 168 BPM | ||
Tsimtsum | Mychael Danna | F♯ Minor | 1 | 11A | 63 BPM | ||
Speaking Unto Nations (Beethoven Symphony no 7 - II ) | Ludwig van Beethoven, Terry Davies, Members Of The London Symphony Orchestra | E Minor | 0 | 9A | 83 BPM | ||
Knightley's Walk | Samuel Sim | G Major | 1 | 9B | 92 BPM | ||
To the Ball | Original Soundtrack | E♭ Major | 1 | 5B | 83 BPM | ||
Forrest Meets Forrest | Alan Silvestri | F Major | 0 | 7B | 64 BPM | ||
The World in the Room | Stephen Warbeck | B♭ Major | 1 | 6B | 99 BPM | ||
Chasing Margaret | Rupert Gregson-Williams | C Minor | 3 | 5A | 92 BPM | ||
Willy’s Arrival | Thomas Adès | D♭ Major | 1 | 3B | 145 BPM |
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