Piano Concerto No. 1 in F-Sharp Minor, Op. 1: II. Andante - Sergei Rachmaninoff, Jascha Horenstein, Royal Philharmonic Orchestra, Earl Wild Information

Acousticness: 99%
Danceability: 25%
Energy: 8%
Instrumentalness: 93%
Liveness: 9%
Loudness: 58%
Speechiness: 4%
Valence: 4%
Popularity: 1%
Loudness: -25.006 dB

Summary

"Piano Concerto No. 1 in F-Sharp Minor, Op. 1: II. Andante" by Sergei Rachmaninoff, Jascha Horenstein, Royal Philharmonic Orchestra, Earl Wild was released on May 1, 1987. Piano Concerto No. 1 in F-Sharp Minor, Op. 1: II. Andante is about six minutes long, preciously at 5:32, making this song fairly long compared to other songs. There are a total of 13 in the song's album "Rachmaninoff: Piano Concertos Nos. 1-4 & Rhapsody on a Theme of Paganini". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Piano Concerto No. 1 in F-Sharp Minor, Op. 1: II. Andante is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Piano Concerto No. 1 in F-Sharp Minor, Op. 1: II. Andante BPM

With Piano Concerto No. 1 in F-Sharp Minor, Op. 1: II. Andante by Sergei Rachmaninoff, Jascha Horenstein, Royal Philharmonic Orchestra, Earl Wild having a BPM of 104 with a half-time of 52 BPM and a double-time of 208 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Piano Concerto No. 1 in F-Sharp Minor, Op. 1: II. Andante Key

This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Can-Can From Orpheus In The Underworld	Jacques Offenbach, Royal Philharmonic Orchestra, Philip Ellis	D Major	6	10B	165 BPM
Violin Concerto No. 3 in B Minor, Op. 61: II. Andantino quasi allegretto	Camille Saint-Saëns, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim	B♭ Major	1	6B	88 BPM
Concerto for 2 Cellos in G Minor, RV 531: II. Largo	Antonio Vivaldi, Julian Lloyd Webber, Jiaxin Lloyd Webber, European Union Chamber Orchestra, Hanspeter Hofmann	G Minor	1	6A	81 BPM
5 Lieder, Op. 49: No. 4. Wiegenlied (arr. P. Nagy): Cradle Song (trans. P. Nagy)	Péter Nagy, Johannes Brahms	E♭ Major	0	5B	134 BPM
Schumann: Fantasiestücke, Op. 12: No. 2, Aufschwung	Robert Schumann, Martha Argerich	B♭ Minor	3	3A	101 BPM
Tre Sonetti di Petrarca, S. 270: Sonetto No. 123: "I' vidi in terra angelici costumi" Lento placido - Sempre lento - Più lento	Franz Liszt, Daniel Barenboim	A♭ Major	0	4B	134 BPM
Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo	Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra	F Major	2	7B	131 BPM
Pelléas et Mélisande, Op.80: 1. Prélude	Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner	G Major	1	9B	134 BPM
Le tombeau de Couperin, M. 68: III. Menuet	Maurice Ravel, Cleveland Orchestra, Pierre Boulez	G Major	0	9B	84 BPM
Piano Concerto No. 1 in B-Flat Minor, Op. 23, TH 55: II. Andantino semplice - Prestissimo - Tempo I	Pyotr Ilyich Tchaikovsky, Martha Argerich, Royal Philharmonic Orchestra, Charles Dutoit	E Major	5	12B	134 BPM

ISRC: GBLWD8703102
Label: L-M Records/RCA Records

Section: 0.7292728424072266

End: 0.732781171798706