"Lobgesang, Cantata H-U. 257: I. Introduzione (Pastorale) [Arr. for Orchestra by Tal-Haim Samnon]" by Fanny Mendelssohn, Daniel Grossmann, Jewish Chamber Orchestra Munich was released on February 25, 2022. The duration of Lobgesang, Cantata H-U. 257: I. Introduzione (Pastorale) [Arr. for Orchestra by Tal-Haim Samnon] is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Lobgesang, Cantata H-U. 257: I. Introduzione (Pastorale) [Arr. for Orchestra by Tal-Haim Samnon]'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 13 in Fanny Mendelssohn Hensel & Felix Mendelssohn: Arias, Lieder, Overtures by Fanny Mendelssohn, Chen Reiss, Daniel Grossmann, Jewish Chamber Orchestra Munich. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Lobgesang, Cantata H-U. 257: I. Introduzione (Pastorale) [Arr. for Orchestra by Tal-Haim Samnon] is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Lobgesang, Cantata H-U. 257: I. Introduzione (Pastorale) [Arr. for Orchestra by Tal-Haim Samnon] by Fanny Mendelssohn, Daniel Grossmann, Jewish Chamber Orchestra Munich is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturnes, Op. 27: No. 2 in D-Flat Major | Frédéric Chopin, Arthur Rubinstein | D♭ Major | 0 | 3B | 77 BPM | ||
Tchaikovsky: The Seasons, Op. 37a: No. 10, October. Autumn Song | Pyotr Ilyich Tchaikovsky, Mikhail Pletnev | D Minor | 0 | 7A | 135 BPM | ||
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
24 Preludes, Op. 11: No. 14 in E-Flat Minor | Alexander Scriabin, Evgeny Zarafiants | E♭ Major | 0 | 5B | 62 BPM | ||
9 Preludes, Op. 1: No. 2 in D Minor. Andante con moto | Karol Szymanowski, Krystian Zimerman | F Major | 1 | 7B | 150 BPM | ||
Character Pieces, MA Ms. 44 (selections): Allegro molto vivace ma con sentimento, in E-Flat Major | Fanny Mendelssohn, Beatrice Rauchs | E♭ Major | 2 | 5B | 115 BPM | ||
Consolation No. 3 in D-Flat Major, S. 172/3 | Franz Liszt, Vladimir Horowitz | D♭ Major | 0 | 3B | 70 BPM | ||
Kinderszenen, Op.15: 1. Von fremden Ländern und Menschen | Robert Schumann, Martha Argerich | G Major | 0 | 9B | 128 BPM | ||
Nocturne No. 5 in B Flat Major, H.37 | John Field, Elizabeth Joy Roe | B♭ Major | 0 | 6B | 65 BPM | ||
Character Pieces, MA Ms. 44 (selections): VIII: Allegro moderato, in B Major | Fanny Mendelssohn, Beatrice Rauchs | A♭ Minor | 1 | 1A | 88 BPM |
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