Viktor Ullmann, Johannes Chum, Tareq Nazmi, Munich Radio Orchestra, Patrick Hahn's 'Der Kaiser von Atlantis, Op. 49b, Scene 1 "Die Tod-Verweigerung": Tage, Tage, wer kauft Tage? (Live at Prinzregenten Theater, Munich 10/10/2021)' came out on April 15, 2022. With Der Kaiser von Atlantis, Op. 49b, Scene 1 "Die Tod-Verweigerung": Tage, Tage, wer kauft Tage? (Live at Prinzregenten Theater, Munich 10/10/2021) being less than two minutes long, at 1:01, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 28 in the song's album "Ullmann: Der Kaiser von Atlantis, Op. 49b "Die Tod-Verweigerung" (Live at Prinzregenten Theater, Munich 10/10/2021)". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Germany. Based on our statistics, Der Kaiser von Atlantis, Op. 49b, Scene 1 "Die Tod-Verweigerung": Tage, Tage, wer kauft Tage? (Live at Prinzregenten Theater, Munich 10/10/2021)'s popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Der Kaiser von Atlantis, Op. 49b, Scene 1 "Die Tod-Verweigerung": Tage, Tage, wer kauft Tage? (Live at Prinzregenten Theater, Munich 10/10/2021) by Viktor Ullmann, Johannes Chum, Tareq Nazmi, Munich Radio Orchestra, Patrick Hahn having a BPM of 128 with a half-time of 64 BPM and a double-time of 256 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
The music key of this track is A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nostalgia | José Siqueira, Guilherme Andreas, Gianne Ge Zhu | A♭ Minor | 2 | 1A | 74 BPM | ||
Fantasia for Cello & Orchestra, W454: III. Allegro expressivo | Heitor Villa-Lobos, Antonio Meneses, Isaac Karabtchevsky, Orquestra Sinfônica do Estado de São Paulo | E♭ Major | 1 | 5B | 133 BPM | ||
Wesendonck Lieder, WWV 91 (Arr. Fontanelli for Voice and Ensemble): No. 1, Der Engel | Richard Wagner, Kathrin Zukowski, KammerMusikKöln | E♭ Major | 1 | 5B | 69 BPM | ||
Stravinsky: Concerto for String Orchestra in D Major: I. Vivace | Igor Stravinsky, Sir Neville Marriner, Los Angeles Chamber Orchestra | D Major | 1 | 10B | 97 BPM | ||
La bonne chanson, Op. 61: No. 1, Une Sainte en son auréole | Gabriel Fauré, Stéphane Degout, Alain Planès | D Major | 2 | 10B | 127 BPM | ||
Dvořák: Symphonic Variations in C Major, Op. 78, B. 70: Variation XXIV | Antonín Dvořák, Wolfgang Sawallisch, Philadelphia Orchestra | B♭ Minor | 1 | 3A | 92 BPM | ||
Frühling | Fanny Mendelssohn, Sivan Goldman, Shira Shaked | F♯ Major | 2 | 2B | 86 BPM | ||
Songs of Separation: II. Burning Hell | Carlos Simon, Gianandrea Noseda, J'nai Bridges, National Symphony Orchestra, Kennedy Center | A♭ Major | 3 | 4B | 87 BPM | ||
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): IV. Fileuse - Allegretto moderato | Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger | G Major | 0 | 9B | 90 BPM | ||
Geisliche Lieder, Op. 20: No. 2, Die arme Seele | Viktor Ullmann, Christine Schäfer, Axel Bauni | A Major | 0 | 11B | 62 BPM |
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