Tylman Susato, Canadian Brass's 'Four Renaissance Dances: Ronde' came out on December 5, 1994. With Four Renaissance Dances: Ronde being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 31 in the song's album "Renaissance Men". In this album, this song's track order is #28. Furthermore, we believe that the track originated from United States. Based on our statistics, Four Renaissance Dances: Ronde's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Four Renaissance Dances: Ronde by Tylman Susato, Canadian Brass having a BPM of 130 with a half-time of 65 BPM and a double-time of 260 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Basciami Mille Volte a 5 Voci | Luca Marenzio, Rinaldo Alessandrini, Concerto Italiano | G Minor | 1 | 6A | 81 BPM | ||
Battle Suite: II. Courant | Samuel Scheidt, American Brass Quintet | A Minor | 1 | 8A | 101 BPM | ||
Lullaby for a sister | Héloïse Werner, Colin Alexander | C Minor | 0 | 5A | 78 BPM | ||
Tres 'Sobre El Canto Ilano De La Alta' | Antonio de Cabezón, Veronique Musson-Gonneaud | F Major | 2 | 7B | 117 BPM | ||
Tiarna Mhaigh Eo | David Murphy, Les Musiciens De Saint-Julien, François Lazarevitch, Robert Getchell | B Major | 1 | 1B | 116 BPM | ||
Fantasia | Francesco da Milano, Jacob Heringman | G Minor | 1 | 6A | 129 BPM | ||
Dansereye (1551): Bergerette 'Sans Roch'/Reprise | Tylman Susato, New London Consort, Philip Pickett | C Major | 4 | 8B | 168 BPM | ||
In Nomine à 5 "Trust" | Christopher Tye, Fretwork | C Minor | 0 | 5A | 62 BPM | ||
Dances From the English Dancing Master: Newcastle | John Playford, Folger Consort | G Major | 2 | 9B | 119 BPM | ||
The English Dance Master, Part I: Kemps Jegg (Roland) | John Playford, Les Witches | D Minor | 2 | 7A | 107 BPM |
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