"Lauda, Sion, Salvatorem (Sequence for Corpus Christi)" by Traditional, Konrad Ruhland, Capella Antiqua München, Choralschola was released on 1977. Since Lauda, Sion, Salvatorem (Sequence for Corpus Christi) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Traditional, Konrad Ruhland's "Konrad Ruhland Conducts Gregorian Chant" album is number 4 out of 63. Lauda, Sion, Salvatorem (Sequence for Corpus Christi) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Lauda, Sion, Salvatorem (Sequence for Corpus Christi) by Traditional, Konrad Ruhland, Capella Antiqua München, Choralschola to be Adagio (slowly with great expression) because the track has a tempo of 73 BPM, a half-time of 36BPM, and a double-time of 146 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Parce Domine | The Schola Cantorum of St. John XXIII Parish | D♭ Minor | 1 | 12A | 137 BPM | ||
Missa Orbis Factor: V. Agnus Dei | Ars Veritas, Schola Cantorum, Jeremy D. Jones, Jakob Patriksson | D Major | 0 | 10B | 0 BPM | ||
Victimae Paschali Laudes Chant | Martin Pazdioch, Gregorian Chant | F Minor | 1 | 4A | 51 BPM | ||
Byzantine Liturgy: Dostoino est (It is worthy), For male choir | Traditional, Chamber Choir, Lege Artis | A Major | 1 | 11B | 130 BPM | ||
Cantiga de Santa Maria 300: Muito deveria ome sempr' a loar | Ensemble Discantus, Brigitte Lesne | A♭ Minor | 1 | 1A | 108 BPM | ||
Largire nunc mitissime | Jacob Obrecht, Cappella Mariana, Vojtěch Semerád | C Major | 2 | 8B | 95 BPM | ||
Je me complains piteusement | Guillaume Dufay, Blue Heron, Scott Metcalfe | A Major | 0 | 11B | 75 BPM | ||
Cheruvimskaja Piesn | St. Peter St. Paul Cathedral Choir of Minsk | A♭ Minor | 1 | 1A | 77 BPM | ||
3 Choruses from Tsar Fyodor Ioannovich: No. 2. Sacred Love | St. Petersburg Optina Pustyn Male Choir | C Minor | 0 | 5A | 84 BPM | ||
Te Joseph | Traditional, Monks Of The Abbey Of Notre Dame | D♭ Minor | 1 | 12A | 126 BPM |
Section: 0.48468637466430664
End: 0.4904923439025879