"Melancholy Songs about Love, Op. 38: No. 4, O, Bottomless Sea of Love. Largo affettuoso" by Vítězslav Novák, Jana Tetourova, Prague Philharmonia, Jiří Bělohlávek was released on January 1, 1998. The duration of Melancholy Songs about Love, Op. 38: No. 4, O, Bottomless Sea of Love. Largo affettuoso is about 3 minutes long, at 3:29. Based on our data, "Melancholy Songs about Love, Op. 38: No. 4, O, Bottomless Sea of Love. Largo affettuoso" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 13 in the song's album "Novák: Slovak Suite, Melancholy Songs about Love". In this album, this song's track order is #9. Melancholy Songs about Love, Op. 38: No. 4, O, Bottomless Sea of Love. Largo affettuoso is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Melancholy Songs about Love, Op. 38: No. 4, O, Bottomless Sea of Love. Largo affettuoso by Vítězslav Novák, Jana Tetourova, Prague Philharmonia, Jiří Bělohlávek having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
The music key of this track is E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Scènes de ballet, Op. 52: VI. Danse Orientale | Alexander Glazunov, Moscow Philharmonic Orchestra, Alexander Anissimov | A♭ Major | 0 | 4B | 78 BPM | ||
Preliudai (Preludes): Preludias, Op. 12, No. 1: Lento | Mikalojus Konstantinas Čiurlionis, Slovak Philharmonic, Juozas Domarkas | E Minor | 0 | 9A | 82 BPM | ||
Serenade for Strings in C Major, Op. 48, TH 48: II. Valse | Pyotr Ilyich Tchaikovsky, Zagreb Philharmonic Orchestra, Dmitri Kitayenko | C Major | 1 | 8B | 138 BPM | ||
弦楽のためのアダージョ (バーバー)[式後の音楽] | ソフィア交響楽団 | B♭ Minor | 1 | 3A | 78 BPM | ||
Debussy: Nocturnes, CD 98, L. 91: No. 3, Sirènes | Claude Debussy, Michel Plasson, Choeurs de Toulouse-Midi-Pyrénées, Orchestre Du Capitole De Toulouse | D♭ Major | 2 | 3B | 84 BPM | ||
Suite, Op. 56: IV. Rondo. Presto | Rudolf Moser, Sinfonietta Riga, Philippe Bach | D Major | 0 | 10B | 101 BPM | ||
Les Sylphides (orch. R. Douglas): I. Prelude (Op. 28, No. 7) | Frédéric Chopin, Roy Douglas, Berlin Radio Symphony Orchestra, Heinz Fricke | A Major | 0 | 11B | 99 BPM | ||
Symphony No. 8: IV. Rondo. Allegro molto vivace | Paul von Klenau, Singapore Symphony Orchestra, Hans Graf | D Major | 1 | 10B | 126 BPM | ||
Serenade for Strings in E Major, B.52: I. Moderato | Antonín Dvořák, Leoš Janáček, Josef Suk, Bohuslav Martinů, Bedřich Smetana, Ciconia Consort, Dick van Gasteren | A Major | 0 | 11B | 181 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ" (Remastered): I. Poco adagio | Camille Saint-Saëns, Eugene Ormandy, E. Power Biggs, Philadelphia Orchestra | C Major | 4 | 8B | 105 BPM |
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