"Kaiserrequiem: V. Sanctus - Beneditus - Hosanna" by Johann Joseph Fux, Vox Luminis, Lionel Meunier, Scorpio Collectif had its release date on August 19, 2016. With this song being around four minutes long, at 3:32, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Vox Luminis, Lionel Meunier, L'Achéron, Scorpio Collectif's "Kerll & Fux: Requiems" album is number 12 out of 14. In terms of popularity, Kaiserrequiem: V. Sanctus - Beneditus - Hosanna is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Kaiserrequiem: V. Sanctus - Beneditus - Hosanna by Johann Joseph Fux, Vox Luminis, Lionel Meunier, Scorpio Collectif to be Andante (at a walking pace) because the track has a tempo of 107 BPM, a half-time of 54BPM, and a double-time of 214 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La corona d’Arianna: Recitativo. Godo, o Teti, scorgendo a te nel volto (Venere, Teti) | Johann Joseph Fux, Monica Piccinini, Marianne Beate Kielland, Ensemble Zefiro, Alfredo Bernardini | B Major | 3 | 1B | 104 BPM | ||
La corona d’Arianna: Recitativo. E perciò da Ciprigna a me venisti? (Teti, Peleo) | Johann Joseph Fux, Marianne Beate Kielland, Meili Li, Ensemble Zefiro, Alfredo Bernardini | B Major | 3 | 1B | 104 BPM | ||
Viola d'amore Concerto in D Minor, RV 393: II. Largo | Antonio Vivaldi, Catherine Mackintosh, Orchestra of the Age of Enlightenment | D♭ Minor | 2 | 12A | 94 BPM | ||
Kuhnau: Magnificat in C Major: V. Chorus. "Quia fecit" | Johann Kuhnau, Hermann Max, Das Kleine Konzert, Rheinische Kantorei | D♭ Major | 2 | 3B | 109 BPM | ||
Dieupart: Harpsichord Suite No. 5 in G Major: VI. Menuet en rondeau (Version With Recorder) | Charles Dieupart, Frans Brüggen, Gustav Leonhardt, Nikolaus Harnoncourt | E Major | 0 | 12B | 116 BPM | ||
Te Deum: X. Dignare Domine | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Helen Charlston, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM | ||
Violin Sonata in G Minor, Op. 5 No. 5: III. Adagio (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Little Consort in Two Parts for Severall Friends in C minor-major: VII. Courante | Matthew Locke, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | ||
Was ist das Herz? Ein finst'rer Ort, TWV 1:1516: No. 4, Lachtder Leuchte der Gerechten taumelt nur in babels nachten | Georg Philipp Telemann, Bergen Barokk | F Major | 2 | 7B | 116 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: III. Sequentia, 1. Dies irae | Niccolò Jommelli, Miriam Feuersinger, Il Gardellino, Gaia Petrone, Valerio Contaldo, Wolf Matthias Friedrich, Peter Van Heyghen | D Major | 1 | 10B | 142 BPM |