"Johannes Brahms: Variationen op. 56a - Über ein Thema von Haydn - III. Con moto" by Royal Philharmonic Orchestra, Robert Bachmann had its release date on July 19, 2002. With This song being less than two minutes long, at 1:43, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Royal Philharmonic Orchestra, Robert Bachmann's "Johannes Brahms: Orchesterwerke 1 - 4" album is number 8 out of 28. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Johannes Brahms: Variationen op. 56a - Über ein Thema von Haydn - III. Con moto is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Johannes Brahms: Variationen op. 56a - Über ein Thema von Haydn - III. Con moto by Royal Philharmonic Orchestra, Robert Bachmann to be Andante (at a walking pace) because the track has a tempo of 108 BPM, a half-time of 54BPM, and a double-time of 216 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Oceano | Roberto Cacciapaglia, Royal Philharmonic Orchestra, Michele Fedrigotti | D Major | 5 | 10B | 118 BPM | ||
Wedding Dance | I Salonisti | E♭ Major | 2 | 5B | 172 BPM | ||
Suite: O, Waly Waly | John Rutter, Royal Ballet Sinfonia, David Lloyd-Jones | G Major | 0 | 9B | 95 BPM | ||
Salut d'amour, Op. 12 | Edward Elgar, Sueye Park, Love Derwinger | E Major | 1 | 12B | 83 BPM | ||
One Hundred Years Of Downton - From "Downton Abbey" | John Lunn, The Chamber Orchestra Of London | A Minor | 2 | 8A | 81 BPM | ||
Méditation de Thaïs | Jules Massenet, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | D Major | 1 | 10B | 72 BPM | ||
I Just Can't Help Believin' - with The Royal Philharmonic Orchestra | Elvis Presley, Royal Philharmonic Orchestra | F Major | 7 | 7B | 142 BPM | ||
Somewhere in Time: Main Theme (Arr. N. Raine for orchestra) | John Barry, Andy Vinter, Royal Philharmonic Orchestra, Nicholas Raine | C Major | 1 | 8B | 142 BPM | ||
The Skye Boat Song - From "Outlander" | Royal Philharmonic Orchestra | D Major | 1 | 10B | 67 BPM | ||
Jesus, Joy of Man's Desiring - Studio | Radio Luxembourg Symphony Orchestra | G Major | 1 | 9B | 62 BPM |