"Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World": IV. Allegro con fuoco" by Antonín Dvořák, Wiener Philharmoniker, Herbert von Karajan was released on October 1, 1985. Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World": IV. Allegro con fuoco appears to be safe for all ages as it is not explicit. The song is number 4 out of 5 in Dvorák: Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World" / Smetana: The Moldau by Antonín Dvořák, Wiener Philharmoniker, Herbert von Karajan. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World": IV. Allegro con fuoco's popularity is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World": IV. Allegro con fuoco by Antonín Dvořák, Wiener Philharmoniker, Herbert von Karajan is Allegro (fast, quick, and bright), since this song has a tempo of 136 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Entry Of The Gladiators | Julius Fučík, Gothenburg Symphony Orchestra, Neeme Järvi | C Major | 6 | 8B | 117 BPM | ||
8 Slavonic Dances, Op. 72: No. 2 in E Minor (Allegretto grazioso) | Antonín Dvořák, Gewandhausorchester, Kurt Masur | D♭ Major | 0 | 3B | 66 BPM | ||
Carmen Suite No. 1: 5. Les toréadors | Georges Bizet, Orchestre de Paris, Semyon Bychkov | F Major | 4 | 7B | 127 BPM | ||
Jazz Suite No. 2: VI. Waltz 2 | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | C Minor | 2 | 5A | 108 BPM | ||
Holberg Suite, Op. 40: I. Präludium (Allegro vivace) | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 134 BPM | ||
Gnossienne No. 1 | Alena Cherny | F Minor | 0 | 4A | 72 BPM | ||
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
Hungarian Rhapsody No.2 In C Sharp Minor, S.244 | Franz Liszt, Berliner Philharmoniker, Herbert von Karajan | F Minor | 2 | 4A | 170 BPM | ||
Symphony No. 5 In C Sharp Minor: IV. Adagietto. Sehr langsam | Gustav Mahler, Wiener Philharmoniker, Pierre Boulez | F Major | 0 | 7B | 87 BPM | ||
Don Quixote, Op. 35, TrV 184: Theme | Richard Strauss, Oslo Philharmonic Orchestra, Vasily Petrenko, Louisa Tuck, Catherine Bullock | G Major | 0 | 9B | 129 BPM |
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