"Kjempevise-Slåtten" by Harald Sæverud, Jan Henrik Kayser was released on 1991. With this song being around four minutes long, at 3:39, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Harald Sæverud, Jan Henrik Kayser's "Harald Sæverud: Selected Piano Pieces" album is number 18 out of 23. Based on our statistics, Kjempevise-Slåtten's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Kjempevise-Slåtten by Harald Sæverud, Jan Henrik Kayser to be Allegro (fast, quick, and bright) because the track has a tempo of 129 BPM, a half-time of 64BPM, and a double-time of 258 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 1 in D Minor, "The Gothic": Part 1: I Allegro assai: section 1 | Havergal Brian, Vladimir Dolezal, Eva Jenisova, Peter Mikulas, Dagmar Peckova, Pavol Procházka, Bratislava Children's Choir, Bratislava City Chorus, Lucnica Chorus, Slovak Folk Ensemble Chorus, Slovak Opera Chorus, Slovak Philharmonic Choir, Echo Youth Choir, Slovak Philharmonic, Slovak Radio Symphony Orchestra, Ondrej Lenard | B♭ Major | 3 | 6B | 58 BPM | ||
Piano Concerto No. 1 in B-Flat Minor, Op. 23: I. Allegro non troppo e molto maestoso - Allegro con spirito (opening) | Pyotr Ilyich Tchaikovsky, Joseph Banowetz, Slovak Radio Symphony Orchestra, Ondrej Lenard | D♭ Major | 2 | 3B | 85 BPM | ||
Barcarolle in F Minor | Harald Sæverud, Einar Steen-Nøkleberg | F Minor | 2 | 4A | 137 BPM | ||
Scriabin: 2 Impromptus, Op. 14: No. 1 in B Major | Alexander Scriabin, Leif Ove Andsnes | B Major | 0 | 1B | 75 BPM | ||
Valdresmarsj | HM Kongens Gardes Musikkorps | A♭ Major | 6 | 4B | 97 BPM | ||
Concerto for Clarinet and Orchestra in A Major: II. Adagio | Wolfgang Amadeus Mozart, Oskar Michallik, Staatskapelle Dresden, Siegfried Kurz | D Major | 0 | 10B | 81 BPM | ||
Bach, JS: Orchestral Suite No. 2 in B Minor, BWV 1067: VII. Badinerie | Johann Sebastian Bach, Sir Neville Marriner, William Bennett, Academy of St. Martin in the Fields | B Minor | 3 | 10A | 118 BPM | ||
Beau Soir, L. 6 | Claude Debussy, Janine Jansen, Itamar Golan | F♯ Minor | 0 | 11A | 88 BPM | ||
Rosamunde, Op. 26, D.797: Entr'acte No. 3 (Andantino) | Franz Schubert, Chamber Orchestra of Europe, Claudio Abbado | B♭ Major | 0 | 6B | 78 BPM | ||
Elgar: Cello Concerto in E Minor, Op. 85: III. Adagio | Edward Elgar, Natalie Clein, Vernon Handley, Royal Liverpool Philharmonic Orchestra | A Major | 1 | 11B | 90 BPM |
Section: 0.8204545974731445
End: 0.8262104988098145