Hildegard von Bingen, Stevie Wishart, Sinfonye, Guy Sigsworth made "O Beata Infantia" available on January 1, 2012. With O Beata Infantia being less than two minutes long, at 1:27, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Hildegard von Bingen, Sinfonye, Stevie Wishart's "Hildegard (Hildegard Von Bingen)" album is number 6 out of 22. Based on our statistics, O Beata Infantia's popularity is below average in popularity right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of O Beata Infantia by Hildegard von Bingen, Stevie Wishart, Sinfonye, Guy Sigsworth to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
O tu suavissima virga | Hildegard of Bingen, Hildegard von Bingen, Singers of St. Laurence, Brooke Green, Neil McEwan | A Minor | 1 | 8A | 133 BPM | ||
Liturgy of St. John Chrysostom: No. 13, Our Father | Benedict Sheehan, The Saint Tikhon Choir, Michael Hawes, Jason Thoms | F♯ Major | 1 | 2B | 133 BPM | ||
Domine ad adjuvandum | Jacobus Gallus, Pro Musica, Szabó Dénes | E♭ Major | 1 | 5B | 136 BPM | ||
Miserere mei, Z. 109 | Henry Purcell, Westminster Kantorei, Thomas Fields, Kerry Heimann, Amanda Quist | A Minor | 1 | 8A | 66 BPM | ||
Myn hert altyt heeft verlanghen I | Pierre de la Rue, Capilla Flamenca, Patrick Denecker | G Minor | 2 | 6A | 96 BPM | ||
La harpe de mélodie | Jacob de Senleches, Ferrara Ensemble, Crawford Young | E Minor | 0 | 9A | 70 BPM | ||
Prophetiae Sibyllarum: Prologue | Orlande de Lassus, Vocalconsort Berlin, Daniel Reuss | G Major | 1 | 9B | 83 BPM | ||
Benedictio III, Lectio III: De Libro divinorum operum | Hildegard von Bingen, Ensemble San Felice, Federico Bardazzi, Barbara Zanichelli, Adele Bardazzi, Elena Sartori, Cristina Ramazzini | D Major | 0 | 10B | 81 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: XII. Amen and with Thy Spirit | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | D Minor | 1 | 7A | 75 BPM | ||
Now the Heavenly Powers Deal Invisibly with Us | Lege Artis Chamber Choir, Boris Abalyan | E♭ Major | 1 | 5B | 179 BPM |
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