"Di mie dogliose note, madrigal for 5 voices" by Filippo De Monte, Rinaldo Alessandrini, Concerto Italiano was released on December 30, 1999. With this song being around four minutes long, at 3:50, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Carlo Gesualdo's "Gesualdo: O Dolorosa Gioia" album is number 1 out of 17. Based on our statistics, Di mie dogliose note, madrigal for 5 voices's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Di mie dogliose note, madrigal for 5 voices by Filippo De Monte, Rinaldo Alessandrini, Concerto Italiano to be Allegro (fast, quick, and bright) because the track has a tempo of 131 BPM, a half-time of 66BPM, and a double-time of 262 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Victoria: O Ildephonse | Tomás Luis de Victoria, Pro Cantione Antiqua, Bruno Turner | G Minor | 2 | 6A | 164 BPM | ||
La pastorella mia | Jacques Arcadelt, Shirley Rumsey | A Minor | 0 | 8A | 96 BPM | ||
Galliard | Orlando Gibbons, The Rose Consort Of Viols | F♯ Major | 1 | 2B | 86 BPM | ||
Mass A 4: Gloria | Oxford Camerata, William Byrd | A♭ Major | 1 | 4B | 135 BPM | ||
Requiem [in memoriam Josquin Desprez] à 6 voix: III. Graduale - Si ambulem | Jean Richafort, Huelgas Ensemble | A Minor | 2 | 8A | 81 BPM | ||
Communion: O sacrum convivium à 5 | Andrea Gabrieli, Gabrieli, Paul McCreesh | C Major | 0 | 8B | 135 BPM | ||
Terpsichore*: Gaillarde | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | G Minor | 0 | 6A | 63 BPM | ||
Sequentia: Pie Jesu | Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena | E♭ Major | 1 | 5B | 76 BPM | ||
Miserere in C Minor Psalm 50, ZWV. 57 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht | B Major | 1 | 1B | 64 BPM | ||
Draw on, Sweet Night | John Wilbye, Oxford Camerata, Jeremy Summerly | D Major | 1 | 10B | 83 BPM |
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