That's The Way I like To Hear You Talk
Bill Currie & Harry Roy and His Orchestra
British Dance Bands - Pete Smiths Specialties, Vol. 2
3:08 2002
BPM
153
Key
F Major
Camelot
7B

Embed

Share Link

That's The Way I like To Hear You Talk - Bill Currie & Harry Roy and His Orchestra Information

Acousticness
88%
Danceability
58%
Energy
37%
Instrumentalness
28%
Liveness
7%
Loudness
78%
Speechiness
6%
Valence
81%
Popularity
Loudness
-12.949 dB

Summary

On 2002, the song "That's The Way I like To Hear You Talk" was released by Bill Currie & Harry Roy and His Orchestra. The duration of That's The Way I like To Hear You Talk is about 3 minutes long, at 3:08. Based on our data, "That's The Way I like To Hear You Talk" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 13 out of 52 in British Dance Bands - Pete Smiths Specialties, Vol. 2 by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Australia. Based on our statistics, That's The Way I like To Hear You Talk's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.

That's The Way I like To Hear You Talk BPM

The tempo marking of That's The Way I like To Hear You Talk by Bill Currie & Harry Roy and His Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 153 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.

That's The Way I like To Hear You Talk Key

F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
What a Perfect Combination by Ray Noble & His OrchestraWhat a Perfect CombinationRay Noble & His OrchestraG Minor46A127 BPM
Wenn Die Sonne Hinter Dem Dach Untergeht by Clarence JonathanWenn Die Sonne Hinter Dem Dach UntergehtClarence JonathanE♭ Major15B103 BPM
It has to be you by Lees BethIt has to be youLees BethD♭ Major13B69 BPM
På Tu Man Hand by Ulla BillquistPå Tu Man HandUlla BillquistG Major29B120 BPM
I Believe in Miracles by Greta KellerI Believe in MiraclesGreta KellerE♭ Major15B101 BPM
Qui Madame by Peter IgelhoffQui MadamePeter IgelhoffF Major47B94 BPM
I Want to Be Bad by Helen KaneI Want to Be BadHelen KaneF Major17B160 BPM
He's Funny That Way (early 04-46) by Benny CarterHe's Funny That Way (early 04-46)Benny CarterA Minor18A76 BPM
Toytown (Parade of the Tin Soldiers) by New Light Symphony OrchestraToytown (Parade of the Tin Soldiers)New Light Symphony OrchestraA Major211B100 BPM
(Why Does My Heart Go) Boom! by Sydney Lipton And His Grosvenor House Dance Orchestra(Why Does My Heart Go) Boom!Sydney Lipton And His Grosvenor House Dance OrchestraG Minor06A78 BPM
ISRC
AUOM01902218
Label
L-M Records/RCA Records

Section: 0.7386469841003418

End: 0.7420744895935059