"Lieder der Liebe und der Einsamkeit (Version for Voice & Harp): No. 16, Aeneas zu Dido" by Johann Friedrich Reichardt, Dietrich Fischer-Dieskau, Maria Graf was released on January 1, 2016. Since Lieder der Liebe und der Einsamkeit (Version for Voice & Harp): No. 16, Aeneas zu Dido is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 20 in the song's album "Reichardt: Ausgewählte Lieder". In this album, this song's track order is #16. Furthermore, we believe that the track originated from Germany. Lieder der Liebe und der Einsamkeit (Version for Voice & Harp): No. 16, Aeneas zu Dido is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Lieder der Liebe und der Einsamkeit (Version for Voice & Harp): No. 16, Aeneas zu Dido by Johann Friedrich Reichardt, Dietrich Fischer-Dieskau, Maria Graf having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata No. 5 in F Major: II. Grave | Giuseppe Sammartini, Claudio Ferrarini, Accademia Farnese | F Major | 4 | 7B | 73 BPM | ||
Die Geisterinsel, Act III: Allmächtig ist die Liebe zu dir, o Vaterland | Johann Friedrich Reichardt, Ulrike Staude, Barbara Hannigan, Markus Schäfer, Ekkehard Abele, Jorg Hempel, Yoshitaka Ogasawara, Rheinische Kantorei, Das Kleine Konzert, Hermann Max | E♭ Major | 0 | 5B | 99 BPM | ||
Elias, Op. 70: Part I: Aber der Herr sieht es nicht (No. 5 Chorus) | Felix Mendelssohn, Karl-Friedrich Beringer | D Major | 3 | 10B | 100 BPM | ||
6 Hungarian Dances: No. 3. Verbunk | Antal Gyorgy Csermak, Budapest Strings, Karoly Botvay | F Major | 0 | 7B | 123 BPM | ||
20. Coro: Ihr Augen weint | Georg Anton Kreusser, Domkantorei St. Martin, Karsten Storck, Mainzer Domorchester | C Major | 1 | 8B | 130 BPM | ||
5 Lieder, Op. 49: IV. Wiegenlied | Johannes Brahms, Bernarda Fink, Roger Vignoles | E♭ Major | 2 | 5B | 89 BPM | ||
25 Scottish Songs, Op. 108: No. 20, Faithfu' Johnie | Ludwig van Beethoven, Gerald Finley, Nicola Benedetti, Sheku Kanneh-Mason, Benjamin Grosvenor | E♭ Major | 1 | 5B | 99 BPM | ||
Ombra mai fu (from Xerxes) | Fritz Wunderlich, Radio Sinfonie-Orchester Stuttgart, Alfons Rischner | G Major | 3 | 9B | 73 BPM | ||
Earth Wind and Fire | Aileen | D♭ Major | 1 | 3B | 105 BPM | ||
Symphony No. 4 in D Minor, Op. 120: II. Romanze. Ziemlich langsam (Lento assai) | Robert Schumann, Dresdner Philharmonie, Marek Janowski | A Minor | 0 | 8A | 81 BPM |
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