Walter Kaufmann, Rundfunk-Sinfonieorchester Berlin, David Robert Coleman's 'Six Indian Miniatures: XIII. 13 IV. Grave' came out on February 9, 2024. The duration of Six Indian Miniatures: XIII. 13 IV. Grave is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Six Indian Miniatures: XIII. 13 IV. Grave's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Walter Kaufmann: Orchestral Works Vol. 1 by Walter Kaufmann, Rundfunk-Sinfonieorchester Berlin, David Robert Coleman. The song's track number on the album is #13 out of 15 tracks. Based on our data, Germany was the country where this track was produced or recorded. Based on our statistics, Six Indian Miniatures: XIII. 13 IV. Grave's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Six Indian Miniatures: XIII. 13 IV. Grave by Walter Kaufmann, Rundfunk-Sinfonieorchester Berlin, David Robert Coleman has a tempo of 121 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Six Indian Miniatures: XIII. 13 IV. Grave being at 121 BPM, the half-time would be 60 BPM with a double-time of 242 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
The music key of this track is B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tout un monde lointain…: II. Regard | Henri Dutilleux, Jean-Guihen Queyras, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg | D♭ Major | 1 | 3B | 74 BPM | ||
Three Doors (II) - Concert Performance | Ümit Armağan | C Minor | 2 | 5A | 133 BPM | ||
Symphony No. 5 in E-flat major, Op. 82: II. Andante mosso, quasi allegretto | Jean Sibelius, Orchestre Métropolitain, Yannick Nézet-Séguin | G Major | 0 | 9B | 129 BPM | ||
Three Preludes: No. 1, Allegro ben ritmato e deciso | George Gershwin, Pietro Beltrani, Daniele Negrini, Tiziano Guerzoni, Tommaso Ussardi, Orchestra Senzaspine | E♭ Major | 0 | 5B | 84 BPM | ||
Violin Concerto “Adrano”: II. Cadenza - senza misura | Samy Moussa, Andrew Wan, Orchestre Symphonique de Montréal, Kent Nagano | E Major | 2 | 12B | 179 BPM | ||
Bernstein: Symphony No. 2 "The Age of Anxiety", Pt. 1: The Seven Stages. Variation VIII | Leonard Bernstein, Antonio Pappano, Beatrice Rana, Orchestra dell'Accademia Nazionale di Santa Cecilia | D♭ Major | 0 | 3B | 95 BPM | ||
Mythologies: VI. Bacchus | Eleanor Alberga, BBC Symphony Orchestra, Thomas Kemp | B♭ Major | 1 | 6B | 61 BPM | ||
Piano Trio in A Minor, M. 67: I. Modéré | Maurice Ravel, Florestan Trio | C Major | 0 | 8B | 84 BPM | ||
Arpeggione Sonata in A Minor, D. 821 (Arr. for Cello & Piano by Anonymous): II. Adagio | Franz Schubert, Josephine Knight, Simon Crawford-Phillips | E Major | 0 | 12B | 115 BPM | ||
An Indian Symphony: VIII. 08 II. Second Movement | Walter Kaufmann, Rundfunk-Sinfonieorchester Berlin, David Robert Coleman | B Minor | 3 | 10A | 121 BPM |
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