"Three Cavalier Songs, Op. 17 (Version for Mezzo-Soprano): II. King Charles" by Charles Villiers Stanford, Sharon Carty, BBC Singers, BBC Concert Orchestra, John Andrews had its release date on June 7, 2024. The duration of This song is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Three Cavalier Songs, Op. 17 (Version for Mezzo-Soprano): II. King Charles's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 22 in the song's album "Stanford: Orchestral Songs". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United Kingdom. Three Cavalier Songs, Op. 17 (Version for Mezzo-Soprano): II. King Charles is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Three Cavalier Songs, Op. 17 (Version for Mezzo-Soprano): II. King Charles by Charles Villiers Stanford, Sharon Carty, BBC Singers, BBC Concert Orchestra, John Andrews having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
4 Songs of Love: No. 4, His Left Hand | Sven-David Sandström, Sofia Vokalensemble, Bengt Ollen | A Minor | 0 | 8A | 138 BPM | ||
Laudate Nomen | Christopher Tye, Voices of Ascension Chorus, Dennis Keene | G Major | 1 | 9B | 64 BPM | ||
Romanzen und Balladen, Book 1, Op. 67: Der Konig von Thule | Robert Schumann, SWR Vokalensemble Stuttgart, Rupert Huber | G Major | 2 | 9B | 169 BPM | ||
Mass in D major, Op. 86: 2. Gloria | Antonín Dvořák, Neil Ritchie, Andrew Giles, Alan Byers, Robert Morton, Christ Church Cathedral Choir, Oxford, Nicholas Cleobury, Simon Preston | E Major | 0 | 12B | 145 BPM | ||
O Weisheit | Arvo Pärt, Daniel Taylor | A Major | 0 | 11B | 74 BPM | ||
Allegri: Miserere - 06. Cor Mundum Crea in Me | The Tallis Scholars, Peter Phillips | G Major | 0 | 9B | 77 BPM | ||
Abendlied | Josef Rheinberger, The Chapel Choir of Pembroke College, Cambridge, Anna Lapwood | F Major | 2 | 7B | 79 BPM | ||
Requiem: Psalm 121 | Herbert Howells, Conspirare, Craig Hella Johnson | B Minor | 0 | 10A | 65 BPM | ||
Warum ist das Licht gegeben dem Mühseligen? Op. 74 No. 1: II. Lasset uns. Wenig bewegter | Johannes Brahms, Cappella Amsterdam, Daniel Reuss | D♭ Major | 2 | 3B | 176 BPM | ||
A Child of our Time, Part I: Chorus of the Oppressed. When shall the usurer's city cease? (Chorus) | Michael Tippett, BBC Symphony Chorus, BBC Symphony Orchestra, Andrew Davis | E Minor | 1 | 9A | 141 BPM |