"Rachmaninoff: 10 Preludes, Op. 23: No. 5 in G Minor (Arr. for Violin and Piano by Jascha Heifetz)" by Sergei Rachmaninoff, Itzhak Perlman, Samuel Sanders was released on October 3, 2005. The duration of Rachmaninoff: 10 Preludes, Op. 23: No. 5 in G Minor (Arr. for Violin and Piano by Jascha Heifetz) is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Rachmaninoff: 10 Preludes, Op. 23: No. 5 in G Minor (Arr. for Violin and Piano by Jascha Heifetz)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Violin Encores: Perlman by Itzhak Perlman. The song's track number on the album is #5 out of 46 tracks. Rachmaninoff: 10 Preludes, Op. 23: No. 5 in G Minor (Arr. for Violin and Piano by Jascha Heifetz) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Rachmaninoff: 10 Preludes, Op. 23: No. 5 in G Minor (Arr. for Violin and Piano by Jascha Heifetz) by Sergei Rachmaninoff, Itzhak Perlman, Samuel Sanders has a tempo of 87 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Rachmaninoff: 10 Preludes, Op. 23: No. 5 in G Minor (Arr. for Violin and Piano by Jascha Heifetz) being at 87 BPM, the half-time would be 44 BPM with a double-time of 174 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Shostakovich / Arr. Atovmyan: Suite from the Gadfly, Op. 97a: VIII. Romance | Dmitri Shostakovich, Tasmin Little, Piers Lane | C Major | 1 | 8B | 175 BPM | ||
Songs My Mother Taught Me (from "Gypsy Songs", Op. 55, No. 4) | Antonín Dvořák, Yo-Yo Ma, Kathryn Stott | B Minor | 0 | 10A | 92 BPM | ||
Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78 | Felix Mendelssohn, Jan Lisiecki | G Minor | 0 | 6A | 168 BPM | ||
Carnaval, Op. 9: XII. Chopin | Robert Schumann, Daniil Trifonov | E Major | 0 | 12B | 68 BPM | ||
Souvenir d'un lieu cher, Op. 42: Ib. Méditation (Orch. Glazunov) | Pyotr Ilyich Tchaikovsky, Daniel Lozakovich, National Philharmonic Orchestra of Russia, Vladimir Spivakov | B♭ Major | 2 | 6B | 99 BPM | ||
Rachmaninov: 10 Preludes, Op. 23: No. 5 in G Minor | Sergei Rachmaninoff, Nikolai Lugansky | G Minor | 1 | 6A | 113 BPM | ||
Piano Concerto No.1 in F Sharp Minor, Op.1: 2. Andante | Sergei Rachmaninoff, Vladimir Ashkenazy, Concertgebouworkest, Bernard Haitink | A Major | 0 | 11B | 69 BPM | ||
Masquerade (Suite): 1. Waltz - Excerpt | Aram Khachaturian, London Symphony Orchestra, Stanley Black | C Major | 3 | 8B | 67 BPM | ||
Symphony No. 2 In C Minor - "Resurrection" / 1st Movement - Allegro maestoso (Totenfeier): Im Tempo nachgeben | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | B Major | 1 | 1B | 152 BPM | ||
Lyric Pieces, Book 1, Op. 12: Arietta | Edvard Grieg, Einar Steen-Nøkleberg | E♭ Major | 0 | 5B | 111 BPM |
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