Marin Marais, Mieneke van der Velden, Glen Wilson made "Suite in D major (3e livre): Charivary - très vivement" available on December 5, 2006. The duration of Suite in D major (3e livre): Charivary - très vivement is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. Suite in D major (3e livre): Charivary - très vivement's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Marin Marais, Mieneke van der Velden's "Marais: Pieces de Viole" album is number 22 out of 22. Based on our statistics, Suite in D major (3e livre): Charivary - très vivement's popularity is unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Suite in D major (3e livre): Charivary - très vivement by Marin Marais, Mieneke van der Velden, Glen Wilson to be Allegro (fast, quick, and bright) because the track has a tempo of 122 BPM, a half-time of 61BPM, and a double-time of 244 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Balletto fatto nella Bariera sopra la Sala di Bologna | Francesco Corbetta, Pierre Pitzl, Private Musicke | D♭ Minor | 0 | 12A | 77 BPM | ||
A miei pianti al fine un dì, F7.32 | Girolamo Frescobaldi, Clematis, Leonardo García-Alarcón | G Major | 1 | 9B | 130 BPM | ||
Violin Sonata No. 1 in D Minor: I. Adagio | Élisabeth Jacquet de La Guerre, David Plantier, Daniela Dolci | D♭ Minor | 1 | 12A | 125 BPM | ||
[Suite en la majeur]: VIII. 2e Menuet (No. 24) & Double (No. 25) | Marin Marais, François Joubert-Caillet, L'Achéron | A♭ Major | 1 | 4B | 85 BPM | ||
4e livre de viole: Caprice ou Sonate (Lent, très légèrement) | Marin Marais, Sophie Watillon, Friederike Heumann, Xavier Diaz-Latorre, Evangelina Mascardi, Luca Guglielmi | A♭ Minor | 1 | 1A | 113 BPM | ||
Missa Azzolina: Agnus Dei | Orazio Benevoli, Le Concert Spirituel, Herve Niquet | A Major | 1 | 11B | 78 BPM | ||
Abdelazer, Z, 570: Rondeau | Henry Purcell, Oslo Circles | D♭ Minor | 0 | 12A | 110 BPM | ||
Madrigali amorosi: No. 9, Canzonetta by Rinuccini, Lamento della Ninfa (extrait) | Claudio Monteverdi, Concerto Italiano, Rinaldo Alessandrini | A Minor | 0 | 8A | 129 BPM | ||
Suite in E Minor, BWV 996: V. Bourée | Johann Sebastian Bach, Evangelina Mascardi | B Minor | 2 | 10A | 175 BPM | ||
Forqueray, A: Pièces de viole, Suite No. 5 en ut mineur: VI. La Sylva. Très tendrement | Antoine Forqueray, Jean Rondeau | B Minor | 1 | 10A | 83 BPM |
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