"Sonate da camera No. 4 in A Minor: I. Largo" by Nicola Francesco Haym, Alessandra Talamo, Ensemble Respighi was released on October 1, 2012. The duration of Sonate da camera No. 4 in A Minor: I. Largo is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Sonate da camera No. 4 in A Minor: I. Largo's duration is considered a little bit shorter than the average duration of a typical track. The song is number 13 out of 48 in Bitti & Haym: Sonate per violino e basso by Alessandra Talamo, Ensemble Respighi. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Sonate da camera No. 4 in A Minor: I. Largo's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sonate da camera No. 4 in A Minor: I. Largo by Nicola Francesco Haym, Alessandra Talamo, Ensemble Respighi is Allegro (fast, quick, and bright), since this song has a tempo of 143 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Partita for Violin and Lute in G Minor, BWV 997r: IV. Gigue | Johann Sebastian Bach, Combattimento | G Minor | 1 | 6A | 68 BPM | ||
Sonata da camera No. 1 in C Minor, H 4920: III. Adagio | Nicola Francesco Haym, Arcangelo Corelli, Cappella Musicale Enrico Stuart, Romeo Ciuffa, Chiara Strabioli, Rebeca Ferri, Marco Vitale | F Major | 1 | 7B | 128 BPM | ||
Concerto Armonico I: II. Allegro | Unico Wilhelm van Wassenaer, Mike Fentross, La Sfera Armoniosa | D♭ Major | 3 | 3B | 115 BPM | ||
Marais: Pièces en trio: Suite No. 1 en do majeur: VII. Gavotte | Marin Marais, Ensemble Amalia | A Major | 0 | 11B | 76 BPM | ||
Recorder Concerto in F Major, Op. 4/5, HWV 293: I. Larghetto | George Frideric Handel, Bernard Krainis, The London Strings, Sir Neville Marriner | G Major | 2 | 9B | 107 BPM | ||
Sonata terza in G minor, Parte Prima: IV. Tempo giusto | Mrs Philarmonica, Le Consort | B Major | 0 | 1B | 84 BPM | ||
Concerts royaux, Concerto No. 2 in D Major: V. Échos | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | E Major | 1 | 12B | 82 BPM | ||
Concerto grosso in D Major, op. 8, No. 12 (Ed. G. Sechi): III. Allegro | Giuseppe Torelli, Kammerorchester Basel, Julia Schröder | A♭ Major | 2 | 4B | 141 BPM | ||
Trio Sonata in D Minor, Op. 3 No. 5: IV. Allegro | Arcangelo Corelli, Ensemble Aurora, Enrico Gatti | F♯ Minor | 0 | 11A | 136 BPM | ||
Concerts royaux, Concerto No. 2 in D Major: I. Prélude | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | F Minor | 0 | 4A | 101 BPM |
Section: 0.6384847164154053
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