Mass in C Major, Hob. XXII:9, "Paukenmesse": Mass in C Major, Hob. XXII:9, "Paukenmesse": III. Credo. Et incarnatus est
Joseph Haydn, Richard Hickox, Collegium Musicum 90, Nancy Argenta, Catherine Denley, Mark Padmore, Stephen Varcoe, Collegium Musicum 90 Choir
Haydn: Paukenmesse
4:10 October 1, 1998
BPM
114
Key
C Minor
Camelot
5A

Embed

Share Link

Mass in C Major, Hob. XXII:9, "Paukenmesse": Mass in C Major, Hob. XXII:9, "Paukenmesse": III. Credo. Et incarnatus est - Joseph Haydn, Richard Hickox, Collegium Musicum 90, Nancy Argenta, Catherine Denley, Mark Padmore, Stephen Varcoe, Collegium Musicum 90 Choir Information

Acousticness
98%
Danceability
19%
Energy
6%
Instrumentalness
8%
Liveness
10%
Loudness
57%
Speechiness
4%
Valence
3%
Popularity
Loudness
-25.981 dB

Summary

"Mass in C Major, Hob. XXII:9, "Paukenmesse": Mass in C Major, Hob. XXII:9, "Paukenmesse": III. Credo. Et incarnatus est" by Joseph Haydn, Richard Hickox, Collegium Musicum 90, Nancy Argenta, Catherine Denley, Mark Padmore, Stephen Varcoe, Collegium Musicum 90 Choir was released on October 1, 1998. With this song being around four minutes long, at 4:10, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Joseph Haydn, Richard Hickox, Collegium Musicum 90, Nancy Argenta, Catherine Denley, Mark Padmore, Stephen Varcoe, Collegium Musicum 90 Choir's "Haydn: Paukenmesse" album is number 7 out of 15. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Mass in C Major, Hob. XXII:9, "Paukenmesse": Mass in C Major, Hob. XXII:9, "Paukenmesse": III. Credo. Et incarnatus est is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Mass in C Major, Hob. XXII:9, "Paukenmesse": Mass in C Major, Hob. XXII:9, "Paukenmesse": III. Credo. Et incarnatus est BPM

We consider the tempo marking of Mass in C Major, Hob. XXII:9, "Paukenmesse": Mass in C Major, Hob. XXII:9, "Paukenmesse": III. Credo. Et incarnatus est by Joseph Haydn, Richard Hickox, Collegium Musicum 90, Nancy Argenta, Catherine Denley, Mark Padmore, Stephen Varcoe, Collegium Musicum 90 Choir to be Moderato (at a moderate speed) because the track has a tempo of 114 BPM, a half-time of 57BPM, and a double-time of 228 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.

Mass in C Major, Hob. XXII:9, "Paukenmesse": Mass in C Major, Hob. XXII:9, "Paukenmesse": III. Credo. Et incarnatus est Key

This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Concerto for 2 Harpsichords in C Minor, BWV 1060: III. Allegro (Arr. for Violin, Oboe, Strings & Continuo) by Johann Sebastian Bach, Hilary Hahn, Allan Vogel, Los Angeles Chamber Orchestra, Jeffrey KahaneConcerto for 2 Harpsichords in C Minor, BWV 1060: III. Allegro (Arr. for Violin, Oboe, Strings & Continuo)Johann Sebastian Bach, Hilary Hahn, Allan Vogel, Los Angeles Chamber Orchestra, Jeffrey KahaneC Minor55A116 BPM
Prelude In G Minor, BWV 930 : Praeambulum In G Minor, BWV 930 by Janos Sebestyen, Johann Sebastian BachPrelude In G Minor, BWV 930 : Praeambulum In G Minor, BWV 930Janos Sebestyen, Johann Sebastian BachG Minor26A129 BPM
Sinfonia melodica in C Major, TWV 50:2: VI. Chaconnette by Georg Philipp Telemann, Indianapolis Baroque Orchestra, Barthold KuijkenSinfonia melodica in C Major, TWV 50:2: VI. ChaconnetteGeorg Philipp Telemann, Indianapolis Baroque Orchestra, Barthold KuijkenA♭ Major34B140 BPM
String Quartet No. 4 in C Major, K. 157: III. Presto by Eder QuartetString Quartet No. 4 in C Major, K. 157: III. PrestoEder QuartetC Major28B81 BPM
Sinfonia d'Opera: Allegro vivace by Giovanni Paisiello, Collegium Philarmonicum Chamber Orchestra, Gennaro CappabiancaSinfonia d'Opera: Allegro vivaceGiovanni Paisiello, Collegium Philarmonicum Chamber Orchestra, Gennaro CappabiancaA Major111B88 BPM
Concerto in D Major, RV 90, Concerto in D Major, RV 90, "Il gardellino": II. LargoAntonio Vivaldi, Béla Drahos, Nicolaus Esterhazy SinfoniaD Major110B90 BPM
Concerto For 2 Keyboards In C Minor, BWV 1060: I. Allegro by Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian BachConcerto For 2 Keyboards In C Minor, BWV 1060: I. AllegroCologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian BachC Minor25A96 BPM
Fantasia in C Major, Hob. XVII: 4 by Joseph Haydn, Jean-Efflam BavouzetFantasia in C Major, Hob. XVII: 4Joseph Haydn, Jean-Efflam BavouzetC Major28B134 BPM
Haydn: Cello Concerto No. 2 in D Major, Hob. VIIb:2: II. Adagio (Cadenza by Rostropovich) by Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the FieldsHaydn: Cello Concerto No. 2 in D Major, Hob. VIIb:2: II. Adagio (Cadenza by Rostropovich)Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the FieldsA Major111B90 BPM
Concerto For 2 Keyboards In C Minor, BWV 1060: II. Largo Ovvero Adagio by Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian BachConcerto For 2 Keyboards In C Minor, BWV 1060: II. Largo Ovvero AdagioCologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian BachC Minor25A176 BPM
ISRC
GBLWD9812807
Label
L-M Records/RCA Records

Section: 0.7020435333251953

End: 0.7059469223022461