Pyotr Ilyich Tchaikovsky, Wolfgang Sawallisch, Philadelphia Orchestra made "Tchaikovsky: Swan Lake, Op. 20: Introduction" available on November 22, 2010. The duration of Tchaikovsky: Swan Lake, Op. 20: Introduction is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Tchaikovsky: Swan Lake, Op. 20: Introduction's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 18 in the song's album "Tchaikovsky: Schwanensee (Highlights)". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Tchaikovsky: Swan Lake, Op. 20: Introduction is currently below average in popularity. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Tchaikovsky: Swan Lake, Op. 20: Introduction by Pyotr Ilyich Tchaikovsky, Wolfgang Sawallisch, Philadelphia Orchestra having a BPM of 114 with a half-time of 57 BPM and a double-time of 228 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lieutenant Kije Suite, Op. 60: IV. Troika | Sergei Prokofiev, Slovak State Philharmonic Orchestra, Kosice, Andrew Mogrelia | E♭ Major | 0 | 5B | 102 BPM | ||
La Princesse lontaine - Prelude | Nikolai Tcherepnin, Russian National Orchestra, Mikhail Pletnev | A Major | 0 | 11B | 69 BPM | ||
Dance of the Hours from the opera "La Gioconda" - Irwin Kostal Re-Record 1982 | Irwin Kostal, Disney Studio Orchestra | E Major | 0 | 12B | 87 BPM | ||
L'Arlésienne Suite No. 1, WD 40: 3. Adagietto | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | F Major | 0 | 7B | 86 BPM | ||
Swan Lake (Suite), Op. 20a: 4. Scene | Pyotr Ilyich Tchaikovsky, Josef Sivo, Emanuel Brabec, Wiener Philharmoniker, Herbert von Karajan | E♭ Minor | 0 | 2A | 75 BPM | ||
Symphony No. 6 ("Pastoral"), Op. 68, III Allegro/IV Allegro/V Allegretto - Irwin Kostal Re-Record 1982 | Irwin Kostal, Disney Studio Orchestra | F Major | 0 | 7B | 133 BPM | ||
Nutcracker, ballet, Op. 71 - Pas de deux | Royal Philharmonic Orchestra | G Major | 1 | 9B | 89 BPM | ||
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | ||
Moulinet Polka, Op. 57 | Josef Strauss, Carlos Kleiber, Wiener Philharmoniker | C Major | 2 | 8B | 175 BPM | ||
Weihnachtsoratorium, BWV 248 - Teil 2: IX. Rezitativ. "So geht denn hin, ihr Hirten, geht - Remastered | Johann Sebastian Bach, Theo Adam, Martin Flämig, Dresdner Philharmonie | D Major | 1 | 10B | 149 BPM |
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