Béla Bartók, Mao Fujita, Tokyo Philharmonic Orchestra, Masahiko Enkoji's 'Piano Concerto No. 3 in E Major, Sz. 119 (Excerpts): III. Allegro vivace' had a release date set for September 4, 2019. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Mao Fujita, Masahiko Enkoji's "Listen to the Universe" album is number 10 out of 10. On top of that, Japan appears to be the country where this track was created. Based on our statistics, Piano Concerto No. 3 in E Major, Sz. 119 (Excerpts): III. Allegro vivace's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Piano Concerto No. 3 in E Major, Sz. 119 (Excerpts): III. Allegro vivace by Béla Bartók, Mao Fujita, Tokyo Philharmonic Orchestra, Masahiko Enkoji to be Allegro (fast, quick, and bright) because the track has a tempo of 151 BPM, a half-time of 76BPM, and a double-time of 302 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
ダッタン人の踊り (歌劇 イーゴリ公より) 8 全員の踊り | Alexander Borodin, Ken-Ichiro Kobayashi, Arnhem Philharmonic Orchestra | F♯ Minor | 4 | 11A | 79 BPM | ||
交響曲 第2番 ニ短調 Op. 73 II- Adagio non troppo | Johannes Brahms, Stanisław Skrowaczewski, Yomiuri Nippon Symphony Orchestra | B Major | 1 | 1B | 79 BPM | ||
Four Orchestral Pieces Op. 12 (Sz 51): I. Preludio | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | D Major | 1 | 10B | 73 BPM | ||
Nielsen: Clarinet Concerto, Op. 57, FS 129: Allegro vivace | Carl Nielsen, Sabine Meyer, Sir Simon Rattle, Berliner Philharmoniker | A Minor | 2 | 8A | 146 BPM | ||
Symphony No. 5 in E Minor, Op. 64 III. Valse (Allegro Moderato) | Pyotr Ilyich Tchaikovsky, Andrea Battistoni, RAI National Symphony Orchestra | D♭ Major | 1 | 3B | 81 BPM | ||
Children's Corner (arr. A. Caplet for orchestra): Serenade for the Doll | Andre Caplet, Claude Debussy, Rheinland-Pfalz State Philharmonic Orchestra, Leif Segerstam | D♭ Minor | 0 | 12A | 131 BPM | ||
ワーワーワールド (instrumental) - 2022 Live | Tokyo Philharmonic Orchestra, セカイシンフォニースペシャルバンド | E♭ Major | 5 | 5B | 80 BPM | ||
Scherzo und Marsch, S. 177: I. Allegro vivace, spiritoso | Franz Liszt, Nikolai Demidenko | D Minor | 2 | 7A | 60 BPM | ||
Erdélyi tánc | Béla Bartók, Angela Chun, Jennifer Chun | B Minor | 0 | 10A | 78 BPM | ||
組曲《展覧会の絵》: 古城 | Modest Mussorgsky, Andrea Battistoni, Tokyo Philharmonic Orchestra | E♭ Major | 1 | 5B | 116 BPM |